Thanks for the reply - not sure if I am misunderstanding, but on the RB67 the lenses don't have focusing barrels... you focus with the bellows on the camera body?Typically a "floating" group is displaced automatically by being interlocked to the focussing barrel, similar as groups are moved in zoom lenses.
Recently we had a thread about a floating group at an MF lens actually having to be manually set by a dedicated ring. I guess it was about your lens.
Much appreciated - will look through itWhat Mamiya refers to as a floating unit is more commonly called a field flattener. Many helicoid-focused lenses, especially wide-angle lenses, have this cam-actuated inside the lens assembly.
It does essentially nothing at infinity and almost nothing at medium focusing distances (assuming that the float ring is at the infinity setting) . Nikon uses the term CRC (Close Range Correction). It’s all the same. Lenses, especially fast wide-angle lenses, generate field curvature as the subject distance becomes close. That can soften the image radially outward. The field flattener on the RB and RZ lenses use a cemented doublet that is moved independently of the main focus to flatten the field near the image plane.
The following gives the correct focusing method for use on RB67 and RZ67 lenses equipped with the independently adjusted field flattener (“Floating System”).
Mamiya-Sekor_Macro_C_140mm_f4.5.pdf (mamiyaleaf.com)
I believe that all the floating element lens adjustments cause some focus shift, however the amount of shift is so relatively small with the 50mm or 65mm that it is difficult to observe... the instructions for setting the floating elements (link) are specific to the 140mm macro C and not necessarily the other RB lenses with floating elements. The 140mm macro can show a slight but noticeable focus shift when the FE control is adjusted. The focus will then need touching up. Compare this with the situation when adjusting the FE's on the 50mm C and 65mm C lenses - no observable focus shift occurs. Not sure if the FE's on the 90mm KL cause a focus shift - but if they do, the lens focus should be adjusted.
... while the fora on the RZ67 seems to indicate the DOF calculator at the front of the RZ67 lenses is just that, a calculator, the K/L actually tells [it ontrols a] floating element ...
Not really, as this may have a really subtle effect on the edges at the best of times, and I am viewing via a speckled, decades-old viewfinder/magnifying glass comboCan't one just look at the lens and see what it is doing when turning that ring?
In which case, no.I did not mean looking through the viewfinder, but looking at the lens direcly.
(One must do the same for instance when trying to differ between a plain triplet and a Tessar type, or when to fo find out where a speck sits.)
There must be two 90mm K/L versions, because the ones I have seen (admittedly not many) didn't have that marking.I shoulda known there would be the inevitable discussions of is it reallllly a floating element etc, so should have just put it to bed with a snapshot of the lens. See below:
View attachment 284052
There must be two 90mm K/L versions, because the ones I have seen (admittedly not many) didn't have that marking.
The Mamiya RZ system brochure also doesn't include that version of the 90mm in the list of floating element lenses.
I would suggest using the procedure specified in the manual for the 140mm macro lens.
I keep mine set on infinity when shooting landscapes as a matter of procedure in case I forget to set it.All of the Rb67 90/3.5 K/l lenses have a floating element. The confusion might come from not all of the K/L lenses having the green "floating system" engraving, it seems that Mamiya started that engraving in the mid 90s, a few years after the lens was introduced, however all RB67 lenses with the rubber ring have true floating elements. The lenses with a small simple plastic or metal ring to check DOF are not floating elements. The earlier Sekor C 90/3.8 did not have a floating element.
As for the RZ67 version, you are correct, it is a drastically different design, much simpler in a 6e/6g configuration with no floating element, as opposed to the 11e/9g arrangement in the RB67 K/L. I don't know why the more advanced 90 never was introduced in an RZ67 version.
The basic procedure of focus, read the distance, and set the ring works fine, and actually pretty fast once you get used to it. And, as other people have mentioned, it really makes the most difference at close focusing ranges, so you don't need to worry about it for landscapes.
So the lens pictured is not a RZ67 lens, it is an RB67 lens.All of the Rb67 90/3.5 K/l lenses have a floating element. The confusion might come from not all of the K/L lenses having the green "floating system" engraving, it seems that Mamiya started that engraving in the mid 90s, a few years after the lens was introduced, however all RB67 lenses with the rubber ring have true floating elements. The lenses with a small simple plastic or metal ring to check DOF are not floating elements. The earlier Sekor C 90/3.8 did not have a floating element.
As for the RZ67 version, you are correct, it is a drastically different design, much simpler in a 6e/6g configuration with no floating element, as opposed to the 11e/9g arrangement in the RB67 K/L. I don't know why the more advanced 90 never was introduced in an RZ67 version.
The basic procedure of focus, read the distance, and set the ring works fine, and actually pretty fast once you get used to it. And, as other people have mentioned, it really makes the most difference at close focusing ranges, so you don't need to worry about it for landscapes.
I was referring to what I had managed to find, as a jumping-off point, i.e. this is what they say of RZ67 lenses, but what would the situation be with this RB67 lens. Apologies for any confusion.So the lens pictured is not a RZ67 lens, it is an RB67 lens.
That now makes much more sense. And I now realize that the OP's first reference was to the RB67 K/L version. Unfortunately, he/she immediately started referring to the RZ67 K/L lenses, and I immediately misunderstood what he was referring to. All of my earlier references in this thread are to the RZ67 lenses. My fault.
FWIW, I don't tend to get the RB67 and RZ67 lenses confused, because I never think of them as being the same, even for the few of the K/L lenses that might share the same optical design.
A corollary question, re “read the distance and set the ring”… I presume you are talking of reading the distance of the graph on the side? On the 90mm the graph flatlines after a meter or two… I presume after that you guesstimate?All of the Rb67 90/3.5 K/l lenses have a floating element. The confusion might come from not all of the K/L lenses having the green "floating system" engraving, it seems that Mamiya started that engraving in the mid 90s, a few years after the lens was introduced, however all RB67 lenses with the rubber ring have true floating elements. The lenses with a small simple plastic or metal ring to check DOF are not floating elements. The earlier Sekor C 90/3.8 did not have a floating element.
As for the RZ67 version, you are correct, it is a drastically different design, much simpler in a 6e/6g configuration with no floating element, as opposed to the 11e/9g arrangement in the RB67 K/L. I don't know why the more advanced 90 never was introduced in an RZ67 version.
The basic procedure of focus, read the distance, and set the ring works fine, and actually pretty fast once you get used to it. And, as other people have mentioned, it really makes the most difference at close focusing ranges, so you don't need to worry about it for landscapes.
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