Maybe some of us have thought about long-term storage of unmounted prints. This is an obvious concern if one is actually concerned about archival issues beyond print making.
I exclusively store finished non-displayed prints (like their negatives) in polyester (not polyethylene) fold-lock sleeves. There aren't many sources. Not cheap.
Polyester is far more clear than anything else, better than glass, so these sleeves can be used temporarily instead of framing if one can figure out how to prop them up on a shelf. .
The fold lock feature makes access easy without excessive handling (unlike polyethylene). No scratching.
People to whom I gift or sell unmounted prints often comment on how much more classy these polyester sleeves look than the cheaper polyethylene types they're used to.
I deal mostly with https://www.archivalmethods.com/about-us
I exclusively store finished non-displayed prints (like their negatives) in polyester (not polyethylene) fold-lock sleeves. There aren't many sources. Not cheap.
Polyester is far more clear than anything else, better than glass, so these sleeves can be used temporarily instead of framing if one can figure out how to prop them up on a shelf. .
The fold lock feature makes access easy without excessive handling (unlike polyethylene). No scratching.
People to whom I gift or sell unmounted prints often comment on how much more classy these polyester sleeves look than the cheaper polyethylene types they're used to.
I deal mostly with https://www.archivalmethods.com/about-us
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