Be wary of running yourself into false economies trying to save film while testing. Sure it is fine if everything goes well and there aren't any problems with any of the cameras, but consider what happens if one of the cameras you've tested has a fault such as a light leak...
You easily find yourself right back at square one as far as testing goes, only you know at least one of the cameras has a critical fault, but you might not readily tell which camera had the critical fault... Not to mention the fun of tracking down light leaks in two of the cameras...
For 135 film, consider testing on short rolls, but still only testing the roll in one camera. You don't even really need a full bulk roll, just the extra film cartridges so you can break down a standard 36 exposure roll for shorter loads.
With 120 I guess you could trim film down for short rolls, but dealing with the backing paper and alignment sounds more annoying than just running a full roll with the assumption that the camera actually works. I figure the worst case is I have lots of examples hopefully helping highlight the problem, best case is the camera works fine and I get a roll of decent photos.
Keep In mind that the repeated winding/rewinding of the film will increase the chance of dirt or debris caught in the canister's felt light trap, so increased chance of getting scratches on the film. If you're just checking for exposure, this may not be of concern to you.
If one of the cameras does have a problem where it scratches the film via the roller or pressure plate, it may be hard to determine until you run a full roll through that camera.
It can occur, but many folks will clean and inspect the light trap when they reload the canister. Since you won't have the opportunity to disassemble your cartridge when you switch cameras, it's tougher to do.Thanks, Jim. I haven't bulk loaded in decades and that was just for fun/learning in high school.
Re: dirt getting caught in a canister's light trap causing scratches. Is this a potential problem with the re-usable canisters in general?
View attachment 241632 Why not just buy one really good SLR with a good reputation and hope for the best? Hard to go wrong with any Nikon F.
Load the first camera normally,shoot a couple frames and advance to the next. Put the camera in changing bag,cut off the exposed bit and put on your developing reel. Then repeat the process for the next camera. You should be able to shoot a couple from 3 or 4 cameras with a 36 exposure roll....Even more if you can load the camera in the changing bag.
Talk to Nicole at Beau Photo - they provide a short warranty and price their cameras reasonably, and you may find a good selection of choices.For sure the F was on my mind. But because I'm in a large enough city, too many people know about the F and the prices are too high. [At least too high for someone not confident that I'm "good enough" to shoot film and thus, at the moment, just dabbling.]
Talk to Nicole at Beau Photo - they provide a short warranty and price their cameras reasonably, and you may find a good selection of choices.
As an addendum to my previous reply, it's false economy to try to test multiple cameras with a single roll of film. If you are going to be shooting film, be prepared to burn through film and processing. You're not shooting large format, it's 35mm. The few rolls you might use for testing are nothing compared to what you'll go through shooting seriously.
Loading, advancing, rewinding, back again in another body on follow up few frames? This is not testing multiple cameras, but rather trying to get away with one, which counters main purpose of testing. You need to see frames shot in nany variations of shutter / aperture combos in different lighting conditions, and if camera has any automatic modes, in those too. 24 frames is doable, but 36 enough ... per single camera. Still not enough to call it toast if something goes wrong.
KEH is not what it once was ( buf for Canada still an option). It is rather easy to buy a good working film camera that your testing worries would be unfounded.
If you are going to do this, I would strongly recommend that you:
1) use film with edge numbers;
2) include in your test pictures something like a sign or an image in a mirror indicating which camera/lens/flash is being tested with that frame; and
3) keep good notes.
Key is to have fun as shooting film ought to be.As per Pieter, I'm learning and in agreement that I shouldn't try to get too clever or cut things too fine. I should be trying to develop (ha!) this into an enjoyable and fruitful hobby. In reality, I'm ahead of the game already with a basic body and lens that I got for a song compared to what I've been paying for digital. I should forge ahead instead of trying to be miserly, at least at this point when I've limited experience.
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