dickbromberg
Member
- Joined
- Jan 22, 2008
- Messages
- 8
- Format
- 35mm
I made a couple of pinhole cameras, either from scratch or by modifying an old not too functional camera.
The distance from the pinhole to the film is in the range of 10mm to about 60 mm and I am using Kodak 100 Tmax film and the pinholes are as calculated using the pinhole calculator (Mrpinhole.com) .
I've seen pinhole pictures where the motion was blended due to long exposures. For example flowing water or oceanside scenes where the motion of the waves results in a soft milky texture and the non moving objects are clear and distinct.
I suspect these were made using paper negatives and their longer exposure time associated with them.
Any suggestions as to how to lengthen my exposure times. Depending on the camera they are in the order of one second and the moving water doesn't blend nicely. I prefer simple solutions, if possible.
Thanks
The distance from the pinhole to the film is in the range of 10mm to about 60 mm and I am using Kodak 100 Tmax film and the pinholes are as calculated using the pinhole calculator (Mrpinhole.com) .
I've seen pinhole pictures where the motion was blended due to long exposures. For example flowing water or oceanside scenes where the motion of the waves results in a soft milky texture and the non moving objects are clear and distinct.
I suspect these were made using paper negatives and their longer exposure time associated with them.
Any suggestions as to how to lengthen my exposure times. Depending on the camera they are in the order of one second and the moving water doesn't blend nicely. I prefer simple solutions, if possible.
Thanks