The film goes under the top bars, but unlike in your photo, have the film run "over" the film roller bar.
View attachment 393568
Yes, you insert the film between the parts shown by the blue and the green arrows. I have a Cocarette for type 116 film. It was "converted" by the previous owner by using type 116 take-up spool, threading the film inside the rails (see the blue arrow) and just throwing the 120 type spool with the film inside the camera. To my surprise, this contraption worked to a certain extent.
You will need to come up with a solution to keep the film flat given the extra length and the lack of support along the horizontal sides of the frame. Film flatness is not great in Cocarettes even when you use the right film size.
How are you going to align the frames? As I understand the red window will be in the wrong place.
With my Cocarette I find it much easier to load the film when the camera is open and the bellows are extended. Otherwise the folded bellows get in the way of the film transport part shown in your photos.
Good luck with your project!
I thought you can replace the round plug at the back of the camera with a 3D printed part that has a red window or with some luck borrow this part from a different model Cocarette like Zeiss Ikon type 519/14 (see photo). The window will align with 6x6 frame numbers on 120 film. The original frame width is 140 mm so you should be able to comfortably fit three 6x6 frames. You will use frame numbers 2, 5, 8 and 11 to get four exposures per 120 type roll.
View attachment 393631
View attachment 393630
is Ikon 519/14 using the same round plug with Cocarette IV?
If no cover for red windows? how to avoid the film exposed when shooting?The plug is interchangeable between types 517/15 (type 116) and 519/2 (type 120) which I have. I assume the parts were standardized between Zeiss Ikon camera models (they were exceptional engineers) but I don't have type 514/14 to confirm this.
There is no cover for the red window.
Your camera is a collector's item. I would be very cautious modifying or even using it on a regular basis. Given the efforts required to convert it to type 120 film it might be easier to custom-make type 122 roll film. There are several successful attempts reported on this forum at making large-format roll film using wide aerial film. If you only intend to shoot a few rolls with this camera this (and sourcing Verichrome Pan in type 122) would be the way to go.
If you have any 122 film and backing paper, one can re-use the backing paper with 120 film in the same manner that people do that with 35mm and 120 backing paper in a 120 camera.
For that matter, you can do the same with 35mm film and the 122 backing paper.
If no cover for red windows? how to avoid the film exposed when shooting?
There's a video "Making and using 122 film" by James Harr on Youtube.And I would search info of using aerial film on this camera, I guess to get some 122 spools at first.
Video watched, the comment of DIY backing paper sounds constructive.There's a video "Making and using 122 film" by James Harr on Youtube.
Alternatively, you can use a single sheet of film or photographic paper in this camera.
Developing 122 type film is another challenge you'll have to solve. I developed a "mystery" roll of Verichrome Pan in a 3-reel Paterson tank by adapting the reel as described in this blog post:
Kodak 3A 122 Film Camera Sees First Use After 50-100 Years
daguerreotype tintype analog photographythephotopalace.blogspot.com
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