Ah! This could be one of those relatively short questions that takes a lifetime to answer! I agree with the two* comments above. You can't fully appreciate the technical tricks of printing after it has been through all the digitizing steps to display it here. And I can't remember the name, but I recall there was some legendary photographer from the past who once made a remark about how his work began to improve after the first ten thousand images or some such thing.
I mostly view the galleries here as inspiration, and also just as knowing this community a little better; what things various participants are drawn to. Besides basic lighting and composition, there is a huge spectrum of subjects and styles. So first we need to decide what we are trying to accomplish and then, perhaps based on examples, try to figure out how to get there. I've been dabbling in the art for such a long time I can't even remember how I learned some of the things I know -- and alas, I know there is plenty more to learn!
I think picking some goal -- perhaps a certain "pre-visualized" image -- and trying to create it can be instructive. Like scientific experiments, keeping notes and not changing too many things at once is a useful approach. Going from film selection, metering and exposing, through developing negatives and darkroom printing, and all the chemistry can provide a huge array of possible variations. Thus, analyze a result, figure out what you like or don't like, and try again with a change in some parameter.
The technical end can get quite involved, but in the end result perfect technique does not necessarily result in an interesting photograph!
*Edit: Matt added his comment while I was writing -- and is quite correct. Although I confess that writing about some of this stuff can be more difficult/frustrating than just doing it!
I have a feeling I should try to learn from what I see.
just buy the materials and start making prints. That way you'll learn from your experiences
Another site I use called FADU insists on straight scans of the darkroom prints. By straight I mean that the submitter needs to look at the print and get the scan of it to match. Then you may learn something from the print.
Currently there is no way of knowing that what you see is reproducible in the darkroom but given that few seem to submit straight scans of prints simply because so few print in a darkroom then my feeling is that little can be learnt from what you see in the gallery
I have seen some great tones of what looks like a lith or sepia print only to be told that what I was looking at was a scan of a negative that was PSed in the appropriate was to simulate toning
pentaxuser
For me, the only question I ever have is. . .
Goes something like this
Why do you did you make an exposure of (this), (that) or I might say “why did you make a photograph of (this) (that)
I don’t really care about technical stuff when listening or reading about said artist/ work. What draws you to content conceptually is what I like to know.
I don’t really care about technical stuff when listening or reading about said artist/ work. What draws you to content conceptually is what I like to know.
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