Hmm. The Exakta had an an unparalleled system and was approximately the top 35 mm SLR until the Nikon F was introduced. What killed Exakta wasn't that catastrophe the RTL1000, it was the Nikon system and, more generally, modern SLRs, primarily from Japan. East Germany couldn't complete.
Given that Exaktas were make in Dresden, Germany, which was a Soviet bloc controlled (East German) area after WWII, the brand suffered from the same relative 'backwardness' in design as just about all Soviet photographic products, and probably the same resistance to market success afforded to all the Soviet bloc products.
Given that Exaktas were make in Dresden, Germany, which was a Soviet bloc controlled (East German) area after WWII, the brand suffered from the same relative 'backwardness' in design as just about all Soviet photographic products, and probably the same resistance to market success afforded to all the Soviet bloc products.
Josef Koudelka shot his famous pictures of the Prague Spring on an Exakta. He used black and white movie film and had to keep returning indoors to refill his cassette. When he escaped to the West he was mostly closely associated with Leica rangefinders, and latterly the X-Pan.
https://www.theguardian.com/artanddesign/2011/oct/26/josef-koudelka-prague-spring-photography
I've always thought the built-in film cutting knife was a cool feature. Wish my Robot Star had one of those.
I do not believe any other camera had that feature [Exakta filmknive].
Ah, I got the wrong panoramic. You're right about the very wide angle lens, and I've also forgotten which one it was.Not the X-Pan, but a Fuji G617 - "The Black Triangle" is still an incredibly powerful piece of work. The Gypsies work was also done with the Exakta & a 24mm lens (I think - I recall something to the effect of a Zeiss Jena, but could be wrong).
I've always thought the built-in film cutting knife was a cool feature. Wish my Robot Star had one of those.
Ah, I got the wrong panoramic. You're right about the very wide angle lens, and I've also forgotten which one it was.
East german cameras were not backwards in design long time. To the contrary, they were the first universal use SLRs on the market, and there were a lot of "firsts" actually invented and introduced by Pentacon that are erroneously believed to have come from the Japanese.
I admit that there was a gradually fallback in attractivity to a western market. Reason was the inflexibility to work on and to react to the western market (neccessary for the eastern economy) due to the structure of export trading and later on due to restricted accesss to technologies as microelectronics.
You could well be right because I remember thinking Koudelka's lens was an odd focal length. I happened to be looking through "Exiles" on Monday, and the early wide angle shots were plenty sharp enough.The 25/4 Flektogon would seem a reasonable suspect - and was definitely available in Exakta mount.
The RTL 1000 became available in the 1970s, close to a decade after the Nikon F was outfitted with the Phototomic T metering prism add-on to the base Nikon F body...so in that regard, the RTL was seriously lagging the contemporary Japanese SLRs of the day, which mostly had TTL metering built into the standard body. The metal focal plane shutter in the RTL 1000 was equivalent in capability to the Copal Square metal shutter used in 1964 in the Topcon D-1 and 1965 Nikkormat FT, both having TTL metering. The lag is what I meant by calling it 'backwards'...it was launched at about the same time as the Nikon F2, which had an integrated meter (not an add-on meter only) .
TTL-metering:
Nikon Photomic T was introduced in 1965
The Exakta RTL 1000 was introduced in 1969
The Praktika Super TL was introduced even in 1968
I do not see see a lag of a decade.
In the 70s it was Pentacon to introduce the electric mount, when japanese manufacturers were still busy with rods and levers.
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Got it !!!
A Kilfitt lens
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