how much? How do you want to measure it? inAnd when?
I always wanted supersharp images and when i got my Hexar AF and shot BW film, i felt like they were too sharp, which changed the overall look and dynamic. On the other hand, when shooting color, i totally enjoyed the look it delivered. Am i alone with this?Seems odd, doesnt it?
And when?
I always wanted supersharp images and when i got my Hexar AF and shot BW film, i felt like they were too sharp, which changed the overall look and dynamic. On the other hand, when shooting color, i totally enjoyed the look it delivered. Am i alone with this?Seems odd, doesnt it?
If your prints are too sharp, you are not enlarging them big enough...i felt like they were too sharp,
And when?
I always wanted supersharp images and when i got my Hexar AF and shot BW film, i felt like they were too sharp, which changed the overall look and dynamic. On the other hand, when shooting color, i totally enjoyed the look it delivered. Am i alone with this?Seems odd, doesnt it?
there is nothing worse than a sharp picture of a fuzzy concept.OP...I prefer pictures to be sharp or as I call them clean. But sometimes on the street we can't get things as sharp as we like.
This was shot wide open at 1.4. It is about the minimum I like when it comes to sharpness.
I do documentary photography so I like to document decently sharp. But gave up on my Edward Weston / f64 period years ago. When I first started in the early 70s an Art Center College mentor of mine impressed upon me that sharpness made the photo. He took boring photos, but made sure they were very sharp. I tried that for a year or so, but then realized one thing only goes so far in making a photo. If a project is important and I can't get a sharp photo then I must use a fuzzy shot. But normally I wont do it. I don't like to sign my name to sh..
Here is a pix from Mary Ellen Mark. A crapper for sharpness, but still great shot. She wasn't too good at candid street work, (pretty boring pix) she was very good at shooting with permission.
View attachment 208839
..another case of german neid and missgunst.there is nothing worse than a sharp picture of a fuzzy concept.
Originaly it was Ansel Adams (American) quote..another case of german neid and missgunst.
Content is the most important thing. But getting the other things right will help by not distracting our eyes from the content and may make the content even better.The older I get the less I care about sharpness, focus, proper exposure, etc and the more I care about just getting an image that I really like, which seems lately to be more a matter of framing and timing.
No, it is an AA quote..another case of german neid and missgunst.
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