I have, recently -- just haven't shot any yet (it was all 120, and I mostly carry 35mm cameras even though I prefer medium format -- a matter of size/weight and faster lenses).
FWIW, all my XP2 Super is fresh dated -- but of course that says nothing about color balance/crossover that might come from exhausting developer.
Any updates? I picked up an order of Flexicolor chemistry from Unique over the weekend and plan on replenishing the developer as you've been doing. Did you ever end up developing some fresh/less-expired film?
if I wanted 100% identical results (maybe for scientific purposes?) I'd be doing 100% fresh, stock Xtol. I replenish for economic reasons.
Haha, you're on another level, man. I struggle remembering which beaker I used for developer-vs-fixer last weekend
Allow me to respectfully disagree, as nothing beats a freshly mixed developer for predictability. I believe the whole point of replenishment is economy, and that's why LORR was developed later to allow for even smaller replenishment quantities. Moreover, predictability gets more challenging when replenishing infrequently, which is why (I think) you're doing your current testing, as I've been following this thread from the beginning. My reasoning is primarily based on what's in Z-131, I am not an experienced mini-lab owner as some of you guys are here.
I replenish Xtol continuously, and I do see small variations in its activity. I suspect its' a combination of several factors. Namely:
The variations are negligible though, but again - if I wanted 100% identical results (maybe for scientific purposes?) I'd be doing 100% fresh, stock Xtol. I replenish for economic reasons.
- Time between development sessions
- Insufficient size of the working batch bottle
- Exposure and speed of recently developed films
- Fresh vs older replenisher
I run a jobo, the tank sits sideways and rotates. With the machine and tanks I use, 600ml per tank is all the machine can do.Wow, four rolls in 600 ml? I don't have any tanks that will let me do four rolls (two reels, each with 2x120) in less than 1 liter. Four rolls of 135-36 takes 160 ml more (290 per reel) in my Paterson tanks. I've quit using stainless; too slow to pour in and out, and I can't double load 120 (can barely load it at all).
So, with a minimum of 250 ml per roll, I'm well above the 200 ml you found gave good stability. In fact, I'd challenge whether it's even possible to get too much film for your developer at stock solution strength in inversion processing. In a roller tank with minimum solution, perhaps.
Yep. I've read the advice to use a minimum of 200 ml "active developer" (i.e. stock solution at whatever dilution) per roll on Xtol and D-76. Always thought it applied mainly to diluted (and was the main reason neither developer was recommended for dilution beyond 1+1). Never really realized a Jobo would let you load five films, but only allow 600 ml to process them.
I use the flexicolor chems with a paterson tank and replenish with the rates stated in kodak Z-131 for tank developers. I get more than 5 rolls per liter of developer. maybe Im crazy, but results have been nothing but great for the last 8 years. so Im happy. the 20 liter developer from freestyle is $30 + (probably now) expensive shipping. still cheap though
https://www.freestylephoto.biz/3667805-Kodak-FlexiColor-C-41-Developer-Makes-20-Liters
john
ill second this. I don’t replenish my C-41 developer, and I process *a lot* of film. I also run control strips, and frankly, mixing up a batch of stock developer, then using that to make working solution with the Flexicolor starter has been absolutely predictable and reliable. I know exactly what it’ll do, and can verify it with the control strip. I suspect a lot of variation that people are seeing is actually down to trying to run with too little developer per roll of film. C-41 is not immune to minimum amount of developer per roll requirements. I used to try to squeeze as much as possible out of the developer, and ran 5 rolls in 600ml of developer... well... that only works sometimes. Depending on the content of those rolls, the resulting contrast developed would vary from run to run and thus introduce color cast and other subtle visual artifacts. If you’re an amateur doing it at home and hand inverting each frame, you probably won’t notice or care, but if you’re running control strips and have a fairly tightly calibrated environment, that happening is your bane... so, I started to back off on the number of rolls per ml of developer to see if that made a difference... and it does, and I can actually measure the difference because it shows up in the control strip. I went from 5 to 4 rolls per 600ml, and it stabilized by a measurable amount, but still bumped around a bit over time, so then I backed off to 3 rolls per 600ml, and it just plain stopped bumping around at all and became rock solid, same amount of contrast in each color channel every time, so now that is my minimum for C-41. 200ml per roll. Kodak recommends 250ml per roll, and that probably is a good idea if you expose heavy, but so far, 200ml seems to be a happy medium for a minimum amount per roll.
for replenished XTOL, @Old Gregg you might want to up your minimum amount per roll. That variation you’re seeing is probably due to not having enough developer per roll. I noticed the same behavior with XTOL, if I ran 5 rolls in 600ml of developer, I was replacing 350ml of fresh back into the working solution bottle, only giving me 250 ml of the just used developer to pour back into the bottle. I found that this effectively is stepping too hard on the developer. Not only is 120ml of developer per roll not enough for consistent and reliable development no matter the content of the roll (which I can measure with control strips), it throws off the replenishment ratio and will vary the overall activity of your bottle over time. I did the same experiment with my replenished xtol as I did the C-41 and started to back off how many rolls per ml and once again arrived at the same 200ml per roll number where roll to roll and overall activity over time stabilized out to a happy medium. Depending on the size of your working solution bottle, this may be more or less sensitive to the number of rolls or may take more time to manifest itself, but it does manifest eventually. I run a 2Liter bottle, and it only takes 2-3 processing runs to show up with that amount of working solution. I used to run with 1L, and when my processing volume went up, I had real problems with roll to roll consistency. I figured it was due to the size of my working solution. The real problem was actually not enough developer per roll. The 1L bottle just manifested a lot faster.
now that I’m officially switching over to replenished Ilfotec DD, I’m going through that exercise right now. I’ve got a 2L bottle that I’m seasoning as I write this, and I suspect that I’ll arrive at about the volume per roll as before.
I would love to know the specific replenishment rate that you follow. I've had a hard time finding a definitive answer to this question. Since these flexicolor formulations are designed for big lab processors, I wonder what would be the closest to a paterson tank. I initially followed the rates that are attached in the page 40, since the formulation that I have is the c41-ra, but you mention there's a replenishment rate for tanks, what would that be?
I use 60ml. its more than required, but I find I got/get much better results. and 60ml is nothing compared to bad development.
here is my simple mixing and replenishment notes for the large 20 liter size developer from the link (took me a while to find these numbers as well)
C41 developer mixing
750ml distilled water
A) 64ml
B) 10ml
C) 10ml
water to 1 liter
replenish
35mm, 120 60ml
220 120 ml
4x5 15 per sheet
You do 60ml per roll? And what formulation of flexicolor do you use? What is the specific table of replenishment rate that you follow on z131?
I have a Kodak document (the Z-131 mentioned above, I think) that gives exact replenishment quantities (to 0.1 ml) for specific roll and sheet films by emulsion and roll size (fun fact, 400 speed wants more replenishment than slower films). In the end, in a commercial lab setting, test strips would be the final arbiter, with replenishment adjusted to keep the strips in tolerance, but I've used most of a liter of LORR replenisher over almost six months (so average around 30-35 ml per roll) and my negatives still look good and produce good color, if I expose them properly.
I can't speak to that set of specifics. I have the LORR chemistry, and use the LORR columns in the replenishment table, and so far I'm getting good results (as long as I don't underexpose deeply expired film). And a couple liters of replenisher (mixed down from a partial of the three concentrate bottles) lasts a longish time when you use an average of about 30 ml per roll. I've lost more when my storage bottle sprang a leak than I've used up.
I'll have to check which document it is when I'm at home -- I thought it was Z-131, but if you have that and don't find a replenishment table that includes LORR, then it's a different one.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?