It depends.
It can sometimes be a challenge to get full frame on some sizes of paper
I'm not sure what you mean ... with a 4 bladed easel you can print any size on any paper?
This discussion isn't really about cropping / paper sizes ... that's been covered well elsewhere.
I mean you can print a 5x7 full frame image on a 16x20 piece of paper if you want to.
I'm interested in more philosophical thoughts on the issue rather than if a certain format fits on a certain paper. That's irrelevant.
As I start to get the 8x10 that I've recently acquired in shape I'll be doing contact prints, so that's guaranteed to be full frame.
Personally I don't see the point in constraining my vision to standard paper sizes.
There are exceptions but generally I try to compose for and print full-frame. (The exceptions are where I plan a shot in a format that the camera can't do, like using an RB or 4x5 to make a negative that will be used for a 1:2 ratio print, even there I may just print full size and crop with the mat in the frame. Someday I may own an XPan.)
This does not mean I want to print the rebate, just my whole composition.
I also like the 1x2 format, and I shoot for it sometimes.
But I have trouble understanding why people want expensive backs for 4x5s. After all, the 5 in side is (5*25.4)=127mm, meaning that hidden within every sheet of 4x5 film is a beautiful 60x120 (1x2) composition trying to get out.
Think like a sculptor; chip away what doesn't belong, and you've got the finished product. And for a whole lot less money than an expensive film back. If you have trouble visualizing it, tape some black construction paper to your GG.
MB
The other thing that I've thought seriously about with 4x5 is cutting a dark-slide to mask the film to ~2x5 and the shoot two pano-shots per sheet.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?