Just like to thank PE for the very interesting first hand information regarding the Hasselblads!
I read a story that one EDC went home again and that it was "confiscated" by NASA because it was government property. Is there any truth in this?
Sometimes when i read som story on the web about any of the new improved hot cameras beeing released i can´t help to peek at my EL/M sitting next to me and think "i´m sure it´s wonderful but THIS cameras cousine went to the moon...ha!".
Anyway, i find the Hasselblad history very interesting and even more so because the cameras are still making top notch proffesional work as we speak. I just got my 500C (US) back from service done in gothenburg last week. Changed lots of parts, costed an arm and a leg but hey, it´s 43 years old! Incredible!
...but I will also presume that the cameras meant for Apollo flights 18, 19, and 20 are still extant,
as those programs were cancelled due to budget cuts...
Why does it matter how many Hasselblads there are on the Moon, unless you are going to make the trip to pick them up.
PE, that one got away on a Gemini Earth Orbit mission if I recall . . . any more details?IDK, but there is at least one in orbit.
PE
With all the Space talk we may go back to the Moon. I am sure Hasselblad would want one of those cameras for the Museum.https://www.hasselblad.com/press/press-releases/hasselblad-celebrates-50-years-on-the-moon/
.I am not so sure, Hasselblad is not owned by the family now, but by a Japanese company which has no interest in 6x6 film cameras.
What is the reason for bringing back the backs? I guess it would have not been a problem to train one astronaut to remove the film and bring it back only in the casette, without back.
What is the reason for bringing back the backs? I guess it would have not been a problem to train one astronaut to remove the film and bring it back only in the casette, without back.
-) You overestimate the radiation effect. The films were hours on the moon, compared to films tested for months in space stations.The magazines were undoubtedly built with anti-radiation shielding. Removing the film would have totally fogged the film.
-) You overestimate the radiation effect. The films were hours on the moon, compared to films tested for months in space stations.
-) I know of no hint at all to radiation shielding in any camera.
The backs were the cassettes.What is the reason for bringing back the backs? I guess it would have not been a problem to train one astronaut to remove the film and bring it back only in the casette, without back.
I do not see any posting doubting this, but the contrary.As I have said many times over, the film was on 2.5 mil estar or something of the sort, and not the normal 4 or 5 mil estar for 120 film.
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