Let's see...
- Olympus XA with APX100
- Olympus 35SP, OM-1n and OM-2n with Tmax 100/400
- Hassi backs with Adox CMS20, FP4 and Portra 160
- 4x5 sheet film holders with Retropan 320 soft for pinhole
To be honest ... I don't know. Sometimes I pick a camera after a long time, realizing it is still loaded.
That's why I always try the rewind knob before I open a camera
at least 2, both german, one mostly plastic the other one mostly metal.
no idea what film is in them, maybe ilford 125 iso
later on today another one, an american one, mostly wood but with paper
not film, and the paper has emulsion from the czech republic.
i wish i had some of the guy from south america's "stuff"
i'd happlily be using "stuff" from all the continents but antarctica
Zeiss ZI with Fuji Xtra400. Gotta work through the 100+ rolls frozen I bought last year on epay!
Going to load the FM3A next, finally got the MD12 fixed!
I currently have cut back, and have a few cameras not loaded at present.
Cameras with film include:
Kodak Pocket Junior 1a with Arista EDU 100 (120 format)
Mamiya m645 with Arista EDU 100
Canon 7 rangefinder with Arista Legacy Pro 100
Nikkormat FT2 with Kodak EliteChrome 100 (new camera still in testing phase)
Minolta XTsi with Kodak EliteChrome 100
Nikkormat FTn with Mitsubishi 200 (expired) (new camera still in testing phase)
Minolta STsi with Arista Premium 400
Olympus 35RC (beat up camera a keep with me most of the time) with Lauder ProMax 100 (an old film I found laying around that I just wanted to shoot)
My goal is to keep at least one decent camera loaded with E6, one with fast BW and one with a slower BW film. I currently am somewhat over that target.
One! (400TX in my Perkeo II) I prefer to finish a roll and process it and normally leave my cameras empty until I have a project in mind, but in this case I loaded it and later discovered the lighting where I intended to use it was so dismal it was pretty much a waste of film (although I did shoot a couple)! But fear not, I'll soon find something to shoot it at ...
I try to avoid keeping the professional colour films I use in my cameras for long periods especially in the current hot weather, I try to get them out of my film freezer the day before I want to use them let them defrost overnight before I load them.
I have three ready to go. My Hassleblad has TMAX 100 in it. MY nike F3hp has TRI-X 400 in it. MY Olympus OMG has Portra 400 in it. The Hasselblad has another back loaded in with Portra 400 as well in the camera bag. Most days just the F3 is loaded but today I will be shooting and wanted options.
There's something 100-160-ish in both Flexaret and Reflekta II, Vericolor III in Moskva-2, HP5+ at 1600 in Kiev-4, some 400 black-and-white in Zenit-E, Velvia in Praktica LTL and TMax 400 in Zenit-3M. One Zenit-S may or may not have Fuji C200 in it. Both Smenas have some kind of colour film. I should be more systematic.
Readily at hand? An M6 body w/28mm Summicron and an M4 w/50 Summilux ASPH, each loaded with Tri-X.
A pair of 500c/m bodies w/A12s (loaded with FP4+) are currently sitting in a pair of Halliburtons in my downstairs storage room (perhaps Jasper in three weeks?). At the moment, all 10 Nikon bodies are empty with their batteries removed; I don't know that they're enjoying their two month long summer hiatus.
Just a Polaroid Automatic 250 Land camera loaded with FP-100c.
I tend to load a camera for a particular task (shoot this antique during a day trip, test out this camera, go shoot this event on the weekend) so they tend to be loaded, shot and unloaded the same day. Other than the land camera which is more for random people shots.
Currently I have four loaded with film. An Lc-a with some kodak gold 200. My Pentax K1000 has some fuji superia, my pentax auto 110 has some lomography film and my Voigtlander r3m has some Holga 400 (rebranded Foma black and white).