Fred Lustig?Easy. On www.graflex.org I contacted a retired Graflex-Graphic repairman who was selling off his collection. We exchanged emails for a while to figure out the best choices for me and I selected a 1938 4"x5" Graflex Model D and a 1953 4"x5" Pacemaker Speed Graphic which he said were the best of his personal cameras. He custom built an adapter plate for the Graflex so that both cameras could exchange film backs and Grafmatic 45s. Then I bought a few extra lenses and Grafmatic 45s, film holders on Large Format Photography Form, a camera show and AUG the next few months. FreeStyle supplied the Jobo 3010 Expert Drum.
Burt Sanders in Bakersfield CaliforniaGKC said:Fred Lustig?
I’ve got the opposite: I find sometimes what I didn’t remember havingcan't find what you remember having
I've found 5x7 to be a very a nice place to stick my nose!You mean I can get rid of some of this stuff?
on 4x5 I’m just reaching equilibrium. I have a few cameras and a half dozen lenses that I will probably sell in the next year or so. Anyone want a Shen Hao?
6x9 I’m still expanding, 8x10 is on hold, and thanks to the person who outbid me on a Plaubel 5x7 yesterday, I haven’t stuck my nose into 5x7 so far.
I don’t know of any paring down either. Perhaps a bit on the tripod side, I have three now, one of them I swapped for a shorter version so that it fits better in my backpack. But I can’t say I have one too much. I have three 210’s but they all have their own right to stay. I’m not very happy with my ArcaSwiss P1 Classic ballhead, too much of a compromise between price and smooth operation. The RRS I have is much better but I doubt whether a ballhead is the best choice for a LF camera.
How long? I restarted 4x5 in 2018 with a Chamonix F2 for landscape and a year earlier with a Linhof Kardan Color 4x5 for stills at home
I agree---old shutters can go wonky---it's good to have a spare lens just in case, but four lenses in the same focal length is a bit overkill.I like having twins or triplets of any important equipment, just in case. This is particularly important when you use rare hard to replace or repair lenses, shutters etc. Plus it provides that comforting Feng Shui sense of abundance.
Consider, if you will the dilemma posed when you have so many boxes of misc. LF "stuff" that you can't find what you remember having for a special project (what did I do with my Kodak No,33 is the question I've been asking myself lately)
Or having so many trays in your darkroom that they create an avalanche hazard for a nearby ski resort? LOL!
Me, too!I've found 5x7 to be a very a nice place to stick my nose!
YMMV of course.
I have found 5x7 to be my favorite kit and now that I have built up a nice Plaubel Peco Profia kit I have to rid myself of the 4x5 Plaubel Profia kit that I have dragged around for a lot of years and that has been a hard thing to do. Not a lot of interest in the Plaubel cameras in this area.I've found 5x7 to be a very a nice place to stick my nose!
YMMV of course.
Not necessarily, different lenses of the same focal length can have very different rendering, sharpness, contrast, color reproduction, coverage, etc., etc.I agree---old shutters can go wonky---it's good to have a spare lens just in case, but four lenses in the same focal length is a bit overkill.
Can't find it?
Well...the obvious solution is...
buy another one!
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So far, I’ve pared down to a Sinar with 4x5 and 8x10 set ups, another 8x10, two 4x5 view cameras, and 5 4x5 Speed and Crown Graphics. Maybe I have a ways to go?
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