Define "sharp focus" -- I have lots of negatives I consider sharp made with "that looks like four feet" scale focusing augmented by smallest aperture the light would support at useful shutter speed (with a 105 mm lens on 6x9). If you have a marked/calibrated helicoid, any camera body ought to be able to do the same.
That camera has a bit of a "taken" name -- Universal made a camera called the Mercury (the pawking meter camera)...
In the meantime, if it has no rangefinder mechanism, focus can only be done by scale or ground glass.
You might want to look into a camera with a rangefinder.
I never understood the Mercury camera concept. Why take a lens off a camera that can focus handheld and put it on a camera that can't achieve hand-held focus.
Could you link some examples of shots you took in the F8 - F11 range?
I have this camera and for me it works very well https://www.oddcameras.com/cameradactyl_universal_travel.htm but I do not have the Mercury camera. I use mine for street, maybe it is not ideal for portraits. For portraits I would use the heavy original Mamiya Universal because of its wonderful rangefinder. My favorite street setting is the the 65 or 50mm Mamiya lens and an ordinary Graflex roll film holder. Works for me like a charm and no problems with sharpness....I decided the Homonculus was not for me because I could not achieve sharp focus and accurate compositions for portraits and urban landscapes without using an accessory ground glass back...
Hello,
What has your experience with the Mercury Universal 6x9 camera been like? I am considering if I want to try it out.
So far, I have only had one experience with a 3D-printed camera: the Cameradactyl Homonculus.
I decided the Homonculus was not for me because I could not achieve sharp focus and accurate compositions for portraits and urban landscapes without using an accessory ground glass back. I found that process too inconvenient for my preference for medium format. I wrote a more nuanced and detailed review if you're interested. It's on the first page of Google.
With all that in mind, I have three questions for you:
1. Can you achieve sharp focus and accurate compositions for portraits and urban landscapes without using an accessory ground glass back? If so, what is your setup?
2. If not, how convenient is your ground glass back set up for you to use?
3. What is your favorite configuration (lens, back, etc.)?
The Univex Mercury, by the Universal Camera Corp., looks like a parking meter. It's too small for your current needs though: it's half-frame on 35mm film. The parking-meter bit is housing for a rotary shutter. In at least the second model, it has a depth-of-field table printed on it.
I'm not at home, so don't have my scans at hand -- I'll try to remember to do so when I'm home this evening. I don't generally have exact exposure information, though, and with the camera I'm thinking of (1927 Voigtlander) I'm as likely to go f/16 or f/22 in good sun (dial-set Compur maxes out at 1/200).
I googled the Mercury camera I think you're talking about. I think I found the right page (it has viagra adverts embedded in the listings. I don't know enough to check whether that's really them, subsidising their site, or if its been hacked).
I have to say I hate this product. The 6x9 medium-format camera basic bundle (a body with a frame finder, and with a helical focus unit that you have to find and fit your own lens to, and a Graflok back that you have to find and fit your own film back to) is 150 dollars. That is, they've done everything but all the hard parts of making a camera, and it costs enough to buy (I think, if you're patient) a fully-functional folding 6x9 folder from the 30s-50s, including a lens. and an accessory rangefinder. Uncoupled rangefinder won't slow you down much; and for many photos scale focus is easy.
Well, heck, if you're going to get a 6x9 folder, may as well get a Moskva 5 -- coupled RF (albeit separate window), very good Tessar-type lens, double exposure lock (which can be defeated by using a cable release attached to the shutter), many come with a 6x6 frame mask (in case you like square), and they're usually under $200 even these days. Get a serviced one from Ukraine and it should still be under $300. I had one, traded it, and missed it so much I bought another not long ago.
I think the OP was interested in being able to change lenses, though -- the Universal (once built up) uses Mamiya Universal mount lenses, which are good and not too expensive.
I have this camera and for me it works very well https://www.oddcameras.com/cameradactyl_universal_travel.htm but I do not have the Mercury camera. I use mine for street, maybe it is not ideal for portraits. For portraits I would use the heavy original Mamiya Universal because of its wonderful rangefinder. My favorite street setting is the the 65 or 50mm Mamiya lens and an ordinary Graflex roll film holder. Works for me like a charm and no problems with sharpness.
Not that I do portraits, but I think the shortish range would make parallax error a problem with a rangefinder. Not a terrible problem, but enough that I'd prefer either an SLR or a view camera.
I don't have experience with those two but I have made a few 3D-printed cameras. It looks like your Cameradactyl body is slightly out of spec with a too long flange-focus distance. I think it's difficult to hold high tolerances with a 3D printer so I usually design the bodies a bit short then shim the mount (or offset the focus scale) after checking the collimation.
Otherwise the Mercury is essentially the same thing although it seems more versatile in terms of lenses. It's not clear to me what they use for the "focus unit". 3D-printed helicoid?
Mods, is there any chance you can add this link in my first comment so that folks will know what camera I am talking about?
Done!
At first I thought you were using the Mercury 6x9 camera. I am still curious about your results though.
I googled the Mercury camera I think you're talking about. I think I found the right page (it has viagra adverts embedded in the listings. I don't know enough to check whether that's really them, subsidising their site, or if its been hacked).
I have to say I hate this product. The 6x9 medium-format camera basic bundle (a body with a frame finder, and with a helical focus unit that you have to find and fit your own lens to, and a Graflok back that you have to find and fit your own film back to) is 150 dollars. That is, they've done everything but all the hard parts of making a camera, and it costs enough to buy (I think, if you're patient) a fully-functional folding 6x9 folder from the 30s-50s, including a lens. and an accessory rangefinder. Uncoupled rangefinder won't slow you down much; and for many photos scale focus is easy.
I take it that you don't like 2x3 Graphics, with or without Kalart rangefinders, either.
I hate posts that confuse camera backs with film (sheet, in the UK cut, or roll) holders.
More seriously, Mercury offers a ground glass for $55.
I got my Century Graphic with a coated 127/4.7 lens, the RF adjusted correctly for it, backs for 6x6, 6x7 and 6x9, the focusing hood (a ground-glass with a fresnel, in a little folding metal hood) and the little galilean finder, for 400 dollars.
I bought one of these Mercury 6x9 cameras on the kickstarter campaign. Set up (focusing helical) for the 101mm Ektar lens I have on my baby Speed Graphic. I have never gotten around to using it, so if anyone’s interested I’ll move it on for $75 plus shipping for the body.
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