wirral_matt
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Substituting ammonium bromide for potassium bromide (adjusted for equivalency) just about doubles the speed of a plain silver, no gold/sulfur emulsion. Adding erythrosin to make the emulsion orthochromatic bumps up the speed a bit more (if you don't use a yellow filter.)
http://www.thelightfarm.com/cgi-bin/htmltutgen.py?content=15Jun2013
btw: You really should be seeing an increase in speed when you ripen (heat) the washed noodles, although not necessarily huge.
Word of advice: keep it simple.
Good luck and fun.
d
Going up to 60C or 65C can increase speed as can an increase in hold time after precipitating the Silver. All of these actions can increase speed, contrast, grain - and fog.
PE
Short answer is yep. Let it ripen longer after washing, checking for fog along the way.
Be careful about testing on paper. I’ve found you can get false results because the emulsion interacts with some papers. Better to test on glass.
The speed will depend on the gelatin you use as much as anything. Bostick and Sullivan gelatin will let you get faster. So will using food grade gelatin
Denise and PE both have great advice!
Truth.Without Sulfur or Sulfur + Gold, you are going to be hard pressed to get past about 6 - 12. With them you could get to 25 or 50, and with Ammonia you could make it to 100 with experiments.
PE
Truth.
wirral_matt, question: Besides for the fun challenge, why do you want to go faster? It sounds like you can already make a lovely emulsion. The fastest you'll be able to achieve with a plain silver emulsion will still require a tripod, so embrace the slow!
If you really need to go handheld, or stop some motion, I have recipes for ISO 25 to 50 emulsion, and 100 (summer speed) here: https://www.blurb.com/books/6465389-the-light-farm
Be aware, however. Although not particularly complex, when you start using ammonia and sensitizing chemicals, you're playing a different game.
That sounds good, I might try that tonight with some basic emulsion I have in the fridge.Make the Osterman formula and add 0.3 mole % iodide just before coating. Hold 15 minutes at 40C or 105F and then add your finals and coat.
See if that helps.
Of course, spectral sensitization will help a lot.
PE
I've got your bookI can make the basic emulsion in it great. I've only made it once but it was iso 0.5 on my attempt although admittedly it ended up.a bit of sla hybrid with osterman formula. The osterman sodium bromide formula I managed to get to iso 1.5 but I've had a lot more experience with that recipie.
Recipes (paradoxically, especially the simple ones) fall apart if they aren't followed closely. If you change ingredients and/or timing and/or temperature, you've got yourself a new recipe. AmBr-O will get you to 6-12 at summer UV levels. Avoid the temptation to "modify" recipes and use Kodak HC110 to start with. Developers greatly influence speed. If that doesn't get you where you want to be, ammonia may be in your future.
Look up molar mass calculations. PE is indicating adding KI in the amount of 0.3% the molar mass of silver (not silver nitrate) in your 60g sample.
With one of the small pump setups like Ron has described in the past, I've gotten somewhere between ISO 125 - 160 with sulfur thiocyanate sensitization. But this starts to get into more precision control and becomes a chemistry project with arduinos and software and all that kind of thing. Don't know if I could reproduce it right now, but it's possible.
If you are interested in some reading and research, RIT (Rochester Institute of Technology) has published past master's thesis on-line from their school of photographic science. Back in the day, a good number of people did thesis' on emulsion experiments. Most give the preparation methods they used. Minus the fancy equipment like spectraphotometers that you don't need to make the emulsion, most of these equipment set-ups can be replicated by the home experimenter with some creativity. The fancy machines are need to quantify your results in a research setting, but if you just want to "fool around", most of it is pretty workable.
Thank you. I can't deny that's nice to hear. Writing books on these kinds of subjects is always a labor of love, but still a lot of work. I'm pretty sure I can speak for Ron Mowrey ("PE"), too. Appreciation is coin of the realmSlightly off-topic, but I wanted to thank two contributors to this thread for publishing books on emulsion making.
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