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Scan em as color instead of B&W and the results will be somewhat better.
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The scans only need to be good enough to truthfully represent the actual print at standard screen resolutions of 72 DPI and no larger than, say, 800 pixels in the longest dimension (larger and more finely scanned files exacerbate theft issues).
My scanner (Epson 4490) is, as most are, restricted to sizes smaller than my editioned fiber fine art prints, so I have for some time included 8X10's in my workflow to scan or publish. Yes, fiber takes a lot of cleanup in photoshop once scanned, but it is the only way to faithfully present digitally what may only be truly appreciated in the "flesh", as it were. I rarely need to make any tonal corrections whatsoever, only employing unsharp mask and spotting out white artifacts (indeed a royal pain). The scans only need to be good enough to truthfully represent the actual print at standard screen resolutions of 72 DPI and no larger than, say, 800 pixels in the longest dimension (larger and more finely scanned files exacerbate theft issues). I scan in color space and convert to monochrome to rid it of artifact color not representative of the actual fine print.
While not part of the APUG Galleries, all fine print representations on my site have been done in exactly this manner. My scans do have a different look from most other monochrome work I see on the web but they are, to the best of my limited abilities, authentically portrayed. However, based on the responses in this thread, it would seem that this intention and result may be at odds with the sensibilities of others.
FB prints don't scan well at all because of the paper surface. I re-photograph using a DSLR or make a Glossy RC print for scanning. The other option is a neg scan I can emulate my darkroom prints this way.
Ian
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