- Joined
- Jun 22, 2009
- Messages
- 44
- Format
- 35mm
I've got black and white down, no problem.
But color? Man, what a pain. I still haven't found a good solution to this problem. I get my 120 developed via Wal-Mart (Fuji sendout?) since I can't afford the $15-20 a roll some labs want. I'm sure I could get proofs too, but what about big prints?
I mean, isn't that what we all came here for? I want a gorgeous, grainless color 16x20" on my wall. Is the only solution to pay through the nose at a local pro lab? I could scan it, but that would require getting an incredibly expensive film scanner to produce 16x20" quality source files. I've got tons of great color negatives just sitting in my binder.
What do you guys do to get big color prints?
I've got black and white down, no problem.
I mean, isn't that what we all came here for? I want a gorgeous, grainless color 16x20" on my wall.
The answer to that has been the same for 30 years. Gorgeous grainless 16x20 means Ilfochrome (Cibachrome).
The only cost besides the E-6 processing is the cost of the DIY 16x20 print materials.
It is a lot easier to get it right than color neg printing also. The prints do not fade. Extremely little waste materials. Type C materials do not even come close as far as quality.
I have been doing it with perfect results for 25 years.
I hate to say it but it looks like I should go digital (blasphemy!) for color medium format. What a darn shame. It seems ironic that larger formats are where film truly excels, and larger format film services are exactly what seem to have been hit hardest in the transition to digital.
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