david b said:Apparetnly this is from Magnum,
"For value received, I consent to the publication of my photograph used by Magnum Photos, Inc., whether for not with my name or any text, captions, illustrations whatsoever, and I release them from any liability for such use in any and all media."
david b said:I've decided to go with this:
"For value received, I consent to the publication and public showing of my photograph(s) used by David B, whether or not with my name or any text, captions, illustrations whatsoever, and I release David B from any liability for such use in any and all media.""
This is like watching a yo-yo... first the legalese goes out, then it comes back in.copake_ham said:How about: (snip)
david b said:I am just trying to cover my ass. I did some photos the other night and did not get a release. This was for my state fair series.
I am not even sure if I need a release. The folks were in public and did nothing more than stand still for 5 seconds.
Yup... and I'm as interested in "the answer" as you are; my needs, however, are not quite as immediate!david b said:I am just trying to cover my a$$.
copake_ham said:"I don't know nuttin'."
Yes, I did. I'm working on what will apparently be a "family" of specific releases - each directed toward a specific use.BrianShaw said:Ed seems to have posed a question without answer.
Seems to me that all that is necessary is to leave the entire "claim" phrase out, in a preliminary "Fine Art Release: "For the compensation of ... (I'd suggest, and USE money - a definite sum), I grant to AB (name of photographer) the right to use these images, after reasonable opportunity for my review (more on this later), for Gallery Exhibition and Portfolio purposes.So when sharing either anticipated or unanticipated profit as a good-faith gesture is a goal, how would that be phrased contractually -- "I give up any claim to future profits or future compensation but that might change in the event of a fortunate event where said photograph becomes a really big money maker and the photographer decides that it is right and just to be generous and share the windfall"?
Yes, seems a bit complicated but for "Fine Art photography" where the model is more of a partner than part of the environment, it makes sense to me. Only issue I wonder about (and you have much more experience than me, Ed) is the notion of putting that much control over your art work in the hands of the model. What happens if you have a really great Art Photo that you know will make you lots of fortune/fame but they don't like it and refuses to sign the 'second' release for 'unreasonable reasons'?Ed Sukach said:(snip)
There will be, if reasonably possible, a second release, specifying individual images, BOTH photographer and model agreeing to their use.
If this sounds complicated, I'll agree that it is. (snip)
Note that all the above applies to "Fine Art" ONLY, produced by me, exhibited by me .. without further publication. Certainly, It may not be appropriate for other uses - Commercial - comes immediately to mind.
(snip)
"News" use - wherever, has been judged to be protected from the Copyright Law, as a matter of "Freedom of the Press - under the Constitution of the United States. Elsewhere --- I do not know.jstraw said:I need to find out if I'm simply ignorant here...
It is my understanding that neither releases or permission is needed to take, publish or exhibit photographs made in public spaces. Newspapers could not function otherwise.
I do not know very much about assigning rights to a third party, ie: selling an image for use as an illustration or advertisement.
Can someone school me?
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