Well, in spite of the aforementioned warnings, and the fact it is 100 outside, I installed the household flourescent lamp in place of the incandescent bulb into the Durst M300 and created a condenser enlarger with a 'cold light' head. I proceeded to make a few prints.
I preheated the lamp but today's flourescent bulbs are pretty bright right away. I didn't see any perceptible difference between a preheat and no preheat.
What did occur, however, was that I had some pretty thin, flat negs that I shot in the shade and the fluorescent lamp really put the sparkle (contrast) into those prints. The color temperature of the lamp was equivalent to turning a grade 1 neg (with no contrast filter) into a grade 4 print. Most likely because the lamp is predominately blue-green rather than orange-red of the incandescent. Printing time was about double what was required with the incandescent, about 7 sec. I am using Ilford MG IV.
Not that this has any particular meaning but I thought I would pass the results along. I also did not get any negative pop.
The change, however, would definitely be helpful in turning normal negs into 'Ralph Gibson' style prints without all the hassle of trying to remember where the #5 contrast filter went or smoking the negs in some hot developer!
Sorry, I don't have any of those digital contraptions to post the before and after results.
My .02,
-Fred