This depends on the chemical, it is not true of CD-3.I mix it from bulk/raw chemicals. They have indefinite shelf live.
Vision3 and ECN2 is an ongoing project for me because I find it interesting. Its amazing to hold a 400ft roll in your hands in the dark, and the acetate smell. Just like Fuji E6 film. But if cheap bulk film is the principal motivator, then I will strongly advise anyone against it. It takes some effort and for all the bulk film and bulk chemicals there is quite some upfront cost. Once you made the investment you're cruising along, though.
If you want to use Vision3 and hence remove remjet and possibly play around with the native ECN2 chemistry then there is no way around the bulk rolls. Those pre rolled films at at least $5 a piece are too expensive for that. It's amazing btw, that people are paying $10 for respooled 5222/doubleX. I bought five rolls in HK for half that, which was expensive enough. Unlike the colour cinefilm, however, you can use it like any b/w film (or not and you mix D96). Buying a few rolls of 5222 like that allows one to see what it is like. If you like it then buying a fresh 400ft roll from Kodak will be roughly the same cost per foot as bulk HP5+. But a large up front investment of course.
I doubt that you can evaluate Vision3 film as well as you can doubleX with just five rolls.
bellini makes an ECN2 kit
This depends on the chemical, it is not true of CD-3.
It's not too challenging to mix your own chemicals, Kodak has posted the formulas here: https://www.kodak.com/uploadedfiles/motion/h2407.pdf. It is hard to say whether or not these formulas are up to date, or if all versions of the bleach are optimal for the current generation of Vision3 films. I have had reasonably good results. I use the ferricyanide bleach since it is cheap.
You can get chemicals in reasonable/small quantities from Artcraft in the US; or Argentix in Canada with the possible exception of sulfuric acid for the stop bath.
Remjet can be a pain, and it is pretty likely some particles will be deposited on the emulsion regardless of your removal technique.
Good luck with finding a solution!
Sorry it's 5222.Are you sure it's 7222? That would be 16mm Double X, if I'm not mistaken.
But that's still Double X,only in 35mm. And that is a black&white film, which you don't develop in ECN2, a colour developer.Sorry it's 5222.
Sorry it's 5222.
try asking uk shop nik & trick they might ship to the statesCorrect, and they won't ship it to the U.S. That kit is what started by odyssey..
Hi there! You said you developed Kodak Vision3 in both ECN2 and C41You could develop in C-41 kit. It doesn't really matter. You'll get as weird results as in ECN-2 kit. I've done in both. You'll get closer to normal colors with D films under daylight and T (like 800T) seems to work great in artificial low light.
Just use BH 1L C-41 kit available in store only.
I'm finding 1L kits working best for me. Easy to handle, easy to store.
Latest news is what 2L kit could be split by two 1L kits and one could be stored in freezer for long enough time before it gets in to the use.
I had my buddy in Moscow done ECN-2 kits for me. He sold some on-ebay in 2017, but it was not in high demand. He was shipping USA, Europe, Canada.
If someone is interested, PM me, I'll ask if he still does it.
Hi there! You said you developed Kodak Vision3 in both ECN2 and C41I am looking for an experienced opinion, because I want to purchase a 400ft roll of Kodak Vision3. So, if you could give me your opinion, that would be great. How far is the C41 color shift comparing to ECN2 for the same film? Can that color shift be adjusted after scanning?\
Thanks!
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