First off, don’t be misled by the silver content nonsense. It has little to do with tonality or blacks.
Although the options are significantly more limited than they once were, the papers available today have all the quality of the papers of yesteryear. There aren’t very many graded papers around these days (although Ilford still makes a few grades of Galerie), but this is because variable contrast papers are every bit as good as graded papers. While I miss some of the papers I once used from Kodak, Agfa, and Oriental, there are still some wonderful choices. Ilford makes an excellent line of variable contrast papers from warm to cool. While not available right now (hopefully this is temporary), MCC 110 by Fotoimpex is another current favourite of mine.
Personally, I left graded papers behind long ago. I really only used them when I first learnt to print, and even then, not for long because there were already very good variable contrast papers. The graded paper I used most was Kodak Elite Fine Art, but also some Agfa Brovira and Agfa Portriga. Once I switched to variable contrast, I used several types from Oriental, Kodak, Ilford, Agfa, but eventually I was basically only using Kodak Polymax Fine Art. I used that almost exclusively until Kodak stopped making paper in 2005. Since then I’ve mostly used Ilford papers.
All current papers are Dektol friendly.