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Hi all, film user in the old days ...

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Tord55

Member
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Joined
Oct 3, 2022
Messages
16
Location
Sweden
Format
Digital
Hi all,

I got my first camera in 1960 (a Kodak Brownie Starlet) and switched to digital when I thought compacts were tomorrow's solution to everything, so my Konica Big Mini was replaced by a Konica KD-500, that I used for years, till it simply fell apart. As a young man, I used Rolleiflex 3.5, Edixa Reflex, Sinar, Polaroid, Mamiya SLR, Canon Pellix, Nikon F, Minox 35s (I loved those), and a heap of other cameras over the decades. A Pentax K-x was the first DSLR, followed by a K-7 and a K-5, and these I used after I met my wife (been married for over 20 years), long after my time as editor, journalist, and editor-in-chief, by the way.

The most important change for me as a photographer happened when a Nikon 1 V1 ended up in my lap, but that's another story (I am pretty often at the Nikon 1 Talk group at DPReview.com, possibly over 10,000 times, but, in total, I'm at around 16,500 just there).

My main interests are things that fly, like birds, aircraft (model and full-size), and foiled vessels, plus my family here in Sweden, Denmark, and Thailand (which is a birdwatcher's paradise). I definitely like to tinker with things, like motorbikes and model aircraft; I like to draw and edit text and images. I photograph what I'm interested in, sometimes using macro, sometimes using very long lenses, if one includes crop factors and TCs (around 2.3 meters equivalent). I mainly use FX, DX, and 1" cameras, using F Mount lenses, mainly.
 
Welcome to Photrio.
 
.












Welcome to APUG Photrio!!
 
Thank you, all! Trevligt att bli medlem här, Jesper!
 
  • jtk
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  • KitosLAB
  • KitosLAB
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  • Reason: Political
Would I not bore you with my adventures of shooting Kodachrome and Pan X with my Nikkormat?

I missed Kodachrome by a few years but have plenty of Plus-X in the freezer. Good stuff, they should bring it back.

Sure, why not revel us with the tales of old?
 
Sure, why not revel us with the tales of old?

That would be a new thing here, of course :>)

Do you believe in fairy tales,

In damsels in distress?

In days of old

When knights were bold?

Well I do

Wrote that when I was 12. Some things, sadly, do not improve w/ age.
 
Last edited:
Hello friend! I was born in the USSR, my first camera was "Smena 8M". Soviet propaganda told me from TV that in the USA there are only oligarchs, military police, the unemployed, drug addicts and the mafia. When I was 14 years old I listened to "Voice of America" and was shocked to find out that there are children like me who go to school and play basketball, and the elderly receive pensions. I was in shock!!! Now I have the opportunity to communicate with the whole world and I am very glad that this forum and acquaintance with people like you. Gennady

How is life in Russia nowadays?!
 
How is life in Russia nowadays?!
I'm from Ukraine. And to be honest, it doesn’t matter to me now who lives in Russia and how, I’m only interested in one question so that their missiles don’t fly at my head. Lately, it has become much better and calmer. At least in Kyiv
 
Welcome to Photrio.

Thanks, Matt!
Have been a bit slow getting going, but things have been a bit difficult, being far from home, but my son lent me a Mac Mini M1, so life is so far easier than with his old Surface 4, which is difficult to use for image processing (and so very old!).
 
I missed Kodachrome by a few years but have plenty of Plus-X in the freezer. Good stuff, they should bring it back.

Sure, why not revel us with the tales of old?

I shot Kodachrome but then moved on to Ektachrome due to its faster speed. I shot 200 ASA Ektachrome and Kodachrome was 64 ASA.
 
Hi all,

I got my first camera in 1960 (a Kodak Brownie Starlet) and switched to digital when I thought compacts were tomorrow's solution to everything, so my Konica Big Mini was replaced by a Konica KD-500, that I used for years, till it simply fell apart. As a young man, I used Rolleiflex 3.5, Edixa Reflex, Sinar, Polaroid, Mamiya SLR, Canon Pellix, Nikon F, Minox 35s (I loved those), and a heap of other cameras over the decades. A Pentax K-x was the first DSLR, followed by a K-7 and a K-5, and these I used after I met my wife (been married for over 20 years), long after my time as editor, journalist, and editor-in-chief, by the way.

The most important change for me as a photographer happened when a Nikon 1 V1 ended up in my lap, but that's another story (I am pretty often at the Nikon 1 Talk group at DPReview.com, possibly over 10,000 times, but, in total, I'm at around 16,500 just there).

My main interests are things that fly, like birds, aircraft (model and full-size), and foiled vessels, plus my family here in Sweden, Denmark, and Thailand (which is a birdwatcher's paradise). I definitely like to tinker with things, like motorbikes and model aircraft; I like to draw and edit text and images. I photograph what I'm interested in, sometimes using macro, sometimes using very long lenses, if one includes crop factors and TCs (around 2.3 meters equivalent). I mainly use FX, DX, and 1" cameras, using F Mount lenses, mainly.

Welcome to Photrio.
 
I missed Kodachrome by a few years but have plenty of Plus-X in the freezer. Good stuff, they should bring it back.

Sure, why not revel us with the tales of old?

I also have lots of it in frozen storage in 35mm, 120, 4x5, and even some very old 2 1/4 x 3 1/4. It's a really good people film. But if you like Plus-X, give Double-X a try (sadly not available in 4x5). It's not the same film but it has its own really great look.
 
Share your old war stories. Us youngn's need the tales of yore.

I remember:

  • Kodak Verichrome Pan, Tri-Chem packs, and Velox paper. They were most commonly found in Kodak Home Hobby kits that also included a film development tank, some 5x7 trays, a contact printing light box, and a thermometer. I got one of those kits used as a present and it became my gateway drug for the 50 years of photography that have followed.

  • The Kodak Ektamatic system - B&W VC paper with developer incorporated into it that went through a tabletop processor with two chemicals. The print came out damp and was immediately usable. If you wanted it to last for more than a few weeks, you did a normal fix/wash cycle. This system was a boon to newspapers who wanted to paste up that's day's paper and commercial photographer who wanted quick proofs.

  • The first time I shot 120 on a Yashica-MAT 124G I bought new for $90 or so and began to realize how much better the images were than even my Nikon F (which was the gold standard of the day).

  • The Mamiya Super 23 and Universal press cameras that further blew my mind with what a 6x9 negative could render. I have a nearly perfect Universal here that I keep wrestling with myself about selling. I have deep feels for this system.

  • Kodak Pro Packs - 20 rolls of 120 film in foil wrappers boxed in a single box.

  • 35mm film packaged in aluminum cans with screw tops.

  • Speedotron Brown Line studio strobes that were just indestructable. I bought a 3 head system used with tripods, barndoors, and all the trappings in a travel case for around $300 back in the early 1970s. Speedotron is still making strobes, but I don't know if these still are around.

  • Being able to buy your favorite B&W photo paper in 500 sheet boxes.

  • Working with both a Besseler 45MCRX enlarger and then a Omega B9XL and eventually a Besseler 23C . The Besseler were really well built, but the Omega was far more efficient to use. To this day, I enlarge everything using an old Omega push up DII with a Zone VI VC head on it.

  • Discovering Zone VI graded paper - the most beautiful paper I have ever, ever, ever used and sadly is no more.

  • Working as a photographer's assistant during high school and shooting weddings on the side on my own. I quickly realized that I absolutely loved photography, but I really hated the business of photography. So I found another way to make a living and photography has been a five decade passion - at my tempo, with my chosen subjects, on my schedule.
 
I also have lots of it in frozen storage in 35mm, 120, 4x5, and even some very old 2 1/4 x 3 1/4. It's a really good people film. But if you like Plus-X, give Double-X a try (sadly not available in 4x5). It's not the same film but it has its own really great look.

I've been shooting Double-X. Good stuff, not always easy to come by in bulk.

I remember:

  • Kodak Verichrome Pan, Tri-Chem packs, and Velox paper. They were most commonly found in Kodak Home Hobby kits that also included a film development tank, some 5x7 trays, a contact printing light box, and a thermometer. I got one of those kits used as a present and it became my gateway drug for the 50 years of photography that have followed.

  • The Kodak Ektamatic system - B&W VC paper with developer incorporated into it that went through a tabletop processor with two chemicals. The print came out damp and was immediately usable. If you wanted it to last for more than a few weeks, you did a normal fix/wash cycle. This system was a boon to newspapers who wanted to paste up that's day's paper and commercial photographer who wanted quick proofs.

  • The first time I shot 120 on a Yashica-MAT 124G I bought new for $90 or so and began to realize how much better the images were than even my Nikon F (which was the gold standard of the day).

  • The Mamiya Super 23 and Universal press cameras that further blew my mind with what a 6x9 negative could render. I have a nearly perfect Universal here that I keep wrestling with myself about selling. I have deep feels for this system.

  • Kodak Pro Packs - 20 rolls of 120 film in foil wrappers boxed in a single box.

  • 35mm film packaged in aluminum cans with screw tops.

  • Speedotron Brown Line studio strobes that were just indestructable. I bought a 3 head system used with tripods, barndoors, and all the trappings in a travel case for around $300 back in the early 1970s. Speedotron is still making strobes, but I don't know if these still are around.

  • Being able to buy your favorite B&W photo paper in 500 sheet boxes.

  • Working with both a Besseler 45MCRX enlarger and then a Omega B9XL and eventually a Besseler 23C . The Besseler were really well built, but the Omega was far more efficient to use. To this day, I enlarge everything using an old Omega push up DII with a Zone VI VC head on it.

  • Discovering Zone VI graded paper - the most beautiful paper I have ever, ever, ever used and sadly is no more.

  • Working as a photographer's assistant during high school and shooting weddings on the side on my own. I quickly realized that I absolutely loved photography, but I really hated the business of photography. So I found another way to make a living and photography has been a five decade passion - at my tempo, with my chosen subjects, on my schedule.

I can relate to a few of these. And yes, free lancing as a photographer and working for yourself makes a difference. I don't have to take on clients that I don't want. Good part about these days is I can shoot digital for work and film for leisure and I can fend off the photography burnout.

I've always wanted a Super 23 style kit but I had a Century Graphic fall into my lap and that covers larger 120 negs for me now.
 
I've been shooting Double-X. Good stuff, not always easy to come by in bulk.



I can relate to a few of these. And yes, free lancing as a photographer and working for yourself makes a difference. I don't have to take on clients that I don't want. Good part about these days is I can shoot digital for work and film for leisure and I can fend off the photography burnout.

I've always wanted a Super 23 style kit but I had a Century Graphic fall into my lap and that covers larger 120 negs for me now.

I also have a Baby Speed Graphic and - truthfully - the lens choices on these cameras are far better than on the Mamiyas. In a high speed shooting situation like a wedding or journalistic event, I found the Mamiya Press better though, because they are more efficient to use.
 
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