Looks like a good start. Get the whole "focus and compose, close shutter, insert film holder, test fire shutter, remove dark slide, expose, insert dark slide, remove/reverse film holder" routine down, and you can start working on things like movements (IMO, the second biggest reason to shoot LF), Zone or similar exposure/contrast control methods, etc.
You don't think I should make a career out of studies of this glorified mud puddle in the middle of the storm sewer easement?So what's going to be the next subject?
Yep. Truth is that list has been 90% of my images for the last 10 or 15 years; even before corona I didn't really go anywhere or do anything, so all that's been struck off is "disappointing state university campus."I can see any of those producing good to excellent images. Far more so being good practice as you work on the mechanics of large format.
(My lockdown advice would be to exercise the bellows and do closeups. Mundane things can become interesting if you get close enough....)
Don’t get your hopes up. If your dog is like mine, the minute you get the focus right it will move... or stop sleeping... or want to play... or want to eat... or...sleeping dog
Don’t get your hopes up. If your dog is like mine, the minute you gent the focus right it will move.
I keep mine in the LF caseLooks nice! Congratulations.
I own probably 2 dozen cable releases, and I'm lucky when I actually have one with me when I'm using the LF kit.
in the middle of the storm
@PFGS you and YouTube got me inspired; I loaded up four film holders with fresh Ultra 400 on Saturday and went out with my (4x5) Graphic View and my 150mm f/5.6 Componon. I got six good negatives (two were misloaded, dark slide wouldn't close after exposure -- need to work on that), front tilt required on three, one of those needing front swing as well (to get both leaves of a gate into focus at my chosen perspective).
I had same issue until I understood that it was negative falling towards the lens and maybe bit curling up -> preventing dark slide insert.
Solution: tilt the camera backwards after shot
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