I’m having trouble to achieve good results with silver gelatin emulsion on sheets of paper.
I’d really appreciate if someone could help me find out what I may be doing wrong.
Here, I’ve created a flickr account to showcase some of my experiments.
Most of them has very low contrast and the coating is never regular.
I’ve made two emulsion samples (listed at the end of this topic). The second one was an attempt to increase the contrast. The prints were made with a enlarger in various times of exposure. I’ve also tested with three differents developers (Dektol, ID-14 and D8). Besides all of that, I tried to make some baryta coating too.
All of this information are present in the descripton of every piece on Flickr.
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Sample 1:
Solution A:
15 g gelatin
15 g potassium bromide
5 g NaCl
2 g citric acid (C6H8O7)
250 ml water
mix sol. at 50°C
Solution B:
12 g silver nitrate
100 ml water
raise temp. at 50°C
Sample 2:
Solution A:
40 g gelatin
16 g potassium bromide
250 ml water
mix sol. at 55°C
Solution B:
20 g silver nitrate
125ml water
raise temp. at 55°C
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Thanks!
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EDIT: The emulsion is unwashed and some of the prints has Sensitization (finishing).
To fix the problem, the addition times are needed as are the hold times after addition of AgNO3. It might be useful to add that Chloro Bromide emulsions are among the most difficult to make unless you are following someone's formula.
To fix the problem, the addition times are needed as are the hold times after addition of AgNO3. It might be useful to add that Chloro Bromide emulsions are among the most difficult to make unless you are following someone's formula.
What type of gelatin? From what source. Food gelatin often has additives. Is it bone or pig gelatin for example, and is it oxidized photo grade?
What is the hold time after addition?
And Silver Chloro-Bromides are very hard to control for speed and contrast. They can be made suitable for enlarging, but in this case, probably only for contact printing.
And Silver Chloro-Bromides are very hard to control for speed and contrast. They can be made suitable for enlarging, but in this case, probably only for contact printing.
Juliano, active pig gelatin is not the best choice for making an emulsion. At best, it is very difficult to work with. But, a 20 minute hold is probably good.
A pure bromide emulsion is going to be a lot faster than an Ag Cl/Br emulsion. But, they often turn out to be lower in contrast and less black in tone.
Juliano, active pig gelatin is not the best choice for making an emulsion. At best, it is very difficult to work with. But, a 20 minute hold is probably good.
A pure bromide emulsion is going to be a lot faster than an Ag Cl/Br emulsion. But, they often turn out to be lower in contrast and less black in tone.