When printing for the alt process exchange, I found that I had a very hard time getting the prints cleared properly and consistantly. I was throwing out at least half my prints....so I am looking for advice.
Here is what I did in my latest sessions:
I am using freshly mixed Ferric Oxalate (from Artcraft). My silver nitrate is from an unknown source, so that might be suspect. The paper is Arches Platine. I also used Cranes stationary, but had more problems with that. I am not pre-treating the paper in any way. I am using sodium citrate developer without any dichromate additive. I did not think I needed it with a tuned, digital negative.....I am suspecting that might be a problem. I originally used the rinse-clear in citric acid-rinse process prior to toning, but now I am using 3 citric acid baths instead because I thought that might be the problem...it did not seem to help. My toners and fix is per Sandy's recommendation. I save and replenish the developer and throw out the clearing baths and fixer after each session (maybe 300 sq in. of prints). All solutions (ex. silver nitrate and ferric oxalate which use distilled) are from tap water which is close to ph neutral (Lake Michigan water) although my ph strips are pretty hard to read.
The only other things I can think of is to add some amount of potassium dichromate to the developer (how much?) and recalibrate my process or possibly acidify my developer with a little citric acid. I really love the process and the results I get so I want to perfect it as best I can. On the other hand, I really don't want to go through the pain of recalibrating my process unless I really need to.
Thanks for your help -- Mark
Here is what I did in my latest sessions:
I am using freshly mixed Ferric Oxalate (from Artcraft). My silver nitrate is from an unknown source, so that might be suspect. The paper is Arches Platine. I also used Cranes stationary, but had more problems with that. I am not pre-treating the paper in any way. I am using sodium citrate developer without any dichromate additive. I did not think I needed it with a tuned, digital negative.....I am suspecting that might be a problem. I originally used the rinse-clear in citric acid-rinse process prior to toning, but now I am using 3 citric acid baths instead because I thought that might be the problem...it did not seem to help. My toners and fix is per Sandy's recommendation. I save and replenish the developer and throw out the clearing baths and fixer after each session (maybe 300 sq in. of prints). All solutions (ex. silver nitrate and ferric oxalate which use distilled) are from tap water which is close to ph neutral (Lake Michigan water) although my ph strips are pretty hard to read.
The only other things I can think of is to add some amount of potassium dichromate to the developer (how much?) and recalibrate my process or possibly acidify my developer with a little citric acid. I really love the process and the results I get so I want to perfect it as best I can. On the other hand, I really don't want to go through the pain of recalibrating my process unless I really need to.
Thanks for your help -- Mark
