I have no experience with either the ilford head, or the oriental seagull.
But, I do use a De Vere with their multigrade head. And in a little experiment with Adox Nuance g3 found little difference between exposure at g2, or at g4, this was using a set of exposures to determine the max flash at each grade setting.
The main difference exposing at g4, and you will probably find this worth having, was the paper was slightly more sensitive. The first patch of tone showing earlier (though only by about 1/6th of a stop), and the gradation in the first few steps being gentler than the exposures at g2. After three or four steps the tones were coming closer together.
It would be worth doing this for the oriental seagull with the 500 head, to see if there is a worthwile difference between them.