JD Morgan said:Update:
Just so nobody gets confused, the link in my original post is now dead because the forum administrators deleted the thread. For those that didn't see it I'll sum it up:
Wedding photogs 10 years experience now shooting Disco zapped an entire wedding into Disco dust. Vaporized into 0s and 1s into electronic oblivion. Bride now has not one image from the event and is a wee bit upset. Something like -- oops, the download didn't take -- guess we should have checked that before re-using our Disco chips......
JD Morgan said:Wasn't a sly giggle I got, I roared... really.
Why? Because the Disco kids have made it an us vs. them game. I spent many hours in photo forums over the last three or four years watching film shooters shown the door incrementally. I personally know of no film shooters who have lost an entire wedding.
Disco kids refuse to debate the CD vs. Eight-track analogy nor fess up to the archive problem. Disco is not about photography, it's about money. I hear the way they sell Disco to their naive clients, never mentioning the archive problems or the possibility that in a few years when they open their CD there might be nothing on it etc. But they will charge them the same and more than if they were using film. They claim the equip. etc. costs more -- and they use a Disco Rebel!
Pffft. Nope, gots no sympathy for them.
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