cdowell
Member
Hello from North Carolina. I've been lurking on APUG discussions and have been inspired to get back to a more hands-on method. I've been shooting all B&W MF, but paying to have it developed, then scanning in the negatives. I lost my darkroom five or six years ago.
Now I've been out to the garage and found my development tanks, reels, and the dark bag I use to load film. I want to start developing my own film again...
a) for the fun of it and
b) because I'm starting to think the service bureau I use isn't keeping the chemicals fresh because of the flat negatives I'm getting.
I'll still scan them in I guess, and look forward to learning what options are out there in terms of output on something other than a Epson.
My main system is a Bronica SQ-Ai for 6x6 and a Fuji GW690 for 6x9. I haven't used the Fuji much, but love the 6x9 negs since it was those that got me into darkroom work a decade or so ago when I inherited a box full of them from my grandmother. I was stunned to see how good big negs from 1940s Kodak were and moved up to MF right then.
My dream is to someday find a 100-year-old 8x10 camera that is flawed and affordable but yet somehow still takes unique, interesting and pleasing portraits that I'll contact print in a makeshift darkroom. Never hurts to dream.
That's about it, I guess. Thanks for the site. I'll figure out how to join and do so.
All best --Clifton
Now I've been out to the garage and found my development tanks, reels, and the dark bag I use to load film. I want to start developing my own film again...
a) for the fun of it and
b) because I'm starting to think the service bureau I use isn't keeping the chemicals fresh because of the flat negatives I'm getting.
I'll still scan them in I guess, and look forward to learning what options are out there in terms of output on something other than a Epson.
My main system is a Bronica SQ-Ai for 6x6 and a Fuji GW690 for 6x9. I haven't used the Fuji much, but love the 6x9 negs since it was those that got me into darkroom work a decade or so ago when I inherited a box full of them from my grandmother. I was stunned to see how good big negs from 1940s Kodak were and moved up to MF right then.
My dream is to someday find a 100-year-old 8x10 camera that is flawed and affordable but yet somehow still takes unique, interesting and pleasing portraits that I'll contact print in a makeshift darkroom. Never hurts to dream.
That's about it, I guess. Thanks for the site. I'll figure out how to join and do so.
All best --Clifton