Hi guys,
I write from Italy, specially because there are not so much blogs in Italy about films.
Only 2 years that I use films. Before, I used in my childhood.
I often use 35mm (Pentax bodies: MX, P30n; M42 bodies: Praktica FX2, Cosina 4000s; Olympus IS-1; Kiev IV); then often the medium format (Yashica Mat 124G, that for me is a great lens, Ferrania Eura (lomo type), Ensign Ful Vue II). I have also a great milanese view camera of the 60's, Fatis DS 5x7', but use it sporadically for landscapes.
I am very interested in the different kind of processing b/w, althought I process colour negatives and slides in my personal laboratory.
I frequent a course in Genoa where I approach to various kind of developing (for example we used a PMK pyro kit last time).
I live not far from Ferrania, waiting for the new slide film as you.
Sorry for the english, surely not perfect.
Hello
I write from Italy, specially because there are not so much blogs in Italy about films.
Only 2 years that I use films. Before, I used in my childhood.
I often use 35mm (Pentax bodies: MX, P30n; M42 bodies: Praktica FX2, Cosina 4000s; Olympus IS-1; Kiev IV); then often the medium format (Yashica Mat 124G, that for me is a great lens, Ferrania Eura (lomo type), Ensign Ful Vue II). I have also a great milanese view camera of the 60's, Fatis DS 5x7', but use it sporadically for landscapes.
I am very interested in the different kind of processing b/w, althought I process colour negatives and slides in my personal laboratory.
I frequent a course in Genoa where I approach to various kind of developing (for example we used a PMK pyro kit last time).
I live not far from Ferrania, waiting for the new slide film as you.
Sorry for the english, surely not perfect.
Hello