Hello!
My name is Melissa (not Betty) and I'm a Denver native. I'm getting back into film photography after quite an absence. I have several old workhorse bodies like a Minolta SRT and a Pentax Asahi, as well as a Canon T70. I just acquired a Canon EOS-3 with a 28–80/3.5–5.6 and a 50/1.8 vI and am enjoying getting to know them. While the first roll back was a disappointment (due to the fact it was expired, not camera error as far as I can tell), I've got a second roll loaded and am itching to get out and shoot.
I love urban, noir, people, nature, macro—really anything that catches my eye. I'm always seeking out that light!
I'm looking forward to learning so much more about shooting, developing, and scanning film from this community.
Here's one I took recently on my Canon T70 + FD 50/1.8 | Ilford Delta Pro
Remington Rand by Melissa Johnson, on Flickr
My name is Melissa (not Betty) and I'm a Denver native. I'm getting back into film photography after quite an absence. I have several old workhorse bodies like a Minolta SRT and a Pentax Asahi, as well as a Canon T70. I just acquired a Canon EOS-3 with a 28–80/3.5–5.6 and a 50/1.8 vI and am enjoying getting to know them. While the first roll back was a disappointment (due to the fact it was expired, not camera error as far as I can tell), I've got a second roll loaded and am itching to get out and shoot.
I love urban, noir, people, nature, macro—really anything that catches my eye. I'm always seeking out that light!
I'm looking forward to learning so much more about shooting, developing, and scanning film from this community.
Here's one I took recently on my Canon T70 + FD 50/1.8 | Ilford Delta Pro
Remington Rand by Melissa Johnson, on Flickr
