What did you find? D
Dear David,
The tonality is different. What do YOU expect to find?
Cheers,
Roger
Anyway, I have decided to load up two backs and do a head-to-head comparison; taking identical pictures with the two films and see what happens. Anybody else done this? What did you find? What do you expect that I will find?
You're thinking: "Hey David, do the test and post your results on APUG!"
Yeah, well, I've done similar things in the past and been told I was wrong, so I thought I'd do this backwards and ask for the right answer first.
That the tonality is different. But Roger, I don't think that's "meaningless", I think that's possibly significant. I wasn't talking about grain or sharpness, although since I mentioned those two aspects, I guess I misled ... They're too close there (in my experience) to be concerned about. (I'll edit my OP)
I understand that the answers I asked for will be subjective - it's why I asked. Objective comparisons can be looked up.
Roger, agreed, there will be no absolute winner, but even seeing what works for one individual may be useful for those of us who are less experienced with these emulsions and particular developing combos.
Dear Lee,Roger,
Why would it worry you about the variables? David is a very experienced photographer and has a pretty air tight processing system. And the info is for David and not you.
lee\c
An important difference for me is the price. At 7dayshop.com Hp5 120 is £1.40 and Tri-X is £2.15. As a pensioner, that's decisive!
Reminds me of a friend who used to work for Ilford: "They're all very good. Actually, I slightly prefer Plus-X to FP4, but as I have to pay for Plus-X, well, Plus-X isn't that much better."
Plus-X was, incidentally, the only Kodak film he preferred to Ilford.
Dear Lee,It looks like to me that the posts agreeing with the OP are running about everyone agreeing that this would be ok with the exception of YOU Roger. You say you are not trying to be combative but it surely appears that way to me.
lee\c
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