Mainecoonmaniac
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I just watched the video (with sound muted) while my students were writing an exam. My Japanese is fairly decent so I might be able to help if anyone has any questions.
There's nothing "magic" going on, any more than any other photographic process.
It seems to be a case either of simple rehal bleach redevelop or bleach and tone, both of which are often subjects of discussion here.
We need a photographically-literate Japanese speaker to view this -- and we've got a few Japanese residents on the board, so let's hope one trips over this thread
Ah. It's the same process as some sepia toning processes. No I wonder how long will the restoration will last?
Not necessarily.
You can use standard print developer for the redevelopment stage. In which case you obtain a standard, un-toned image.
One tends to do that when one is aiming to partially bleach an image, but the bleach goes too far. So you re-develop in developer, fix, wash and then start over (hoping to hit just the right amount of bleaching the second time).
The only thing that I noted as being slightly odd was that he appeared to be mixing up a permanganate bleach, which I thought would only be used in a reversal process (and it appears he's following that with a clearing bath to remove the stai
Gerald. I'm patenting the process. Thanks!
I'll be the Richard Prince of the process.
A permanganate bleach can be used just like most other bleaches. Use of permanganate bleaches has increased due to restrictions on dichromate. Had he been doing this process a few decades ago he might have used a dichromate bleach.
The Japanese are masters of thoroughness.
I've never seen a reference to using a permanganate bleach as a rehal bleach before (which doesn't mean I don't believe they exist, merely that I haven't come across a reference to them here or in older literature),
So to a weak permanganate bleach, he must also be adding a halide?
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