HDR done well can be a beautiful thing. Subtlety is key. It's just another tool. With some shots, it beats goboing hot lights and filling in empty shadows.I have used HDR on quite a few images and you would never know I did. I feel the cartoon HDR treatments have run their course. Thank God!
I think the technique is powerful, the naive application of it can be obvious. Not that I'm an expert,
but I've seen a few incredible, subtle results that could not be achieved -to my knowledge- any other way.
The trick, again to my mind is knowing how to artfully blend the layers region by region, as needed, with
some human input. [hybrid alert:] I've done the equivalent by hand with layers and masks with some scans
of 4x5 TMY that had a more dynamic range than I could easily print in the darkroom.
Film is the first HDR
I did some HDR with color negative film. I exposed for the shadow then when I do the scanning I made a scan for the shadow and one for the highlight then I combined them to make HDR.Film is the first HDRBut seriously, if you over-expose highlights with a digital shot, it's gone. But if you over-expose neg film, you can sometimes recover some detail through another scan or in the darkroom, do some burning in.
please explain what that method isDoes the Brenizer method count? I use it from time to time.
please explain what that method is
Like Luckless said.
It turns a small format into a monster format. Lots of great tricks and fun can be had.
Brenizer seems orthogonal to HDR, which is about the dynamic range, not the DOF or focal length.Brenizer is really just using a panorama stitch tool to merge a number of shots into a single to simulate a wider lens with very low f/stop for depth of field. It can be used with HDR, but I've rarely seen examples done as such.
I don't see what that has to do with HDR.Does the Brenizer method count? I use it from time to time.
I don't see what that has to do with HDR.
Why do HDR when there are GND filters?
doGND's will take care of certain situations when the highlights and shadows are nicely separated, like by the horizon. It does not work in all situations. For example if you have a tree back-lit by a bright sky. If you want to show the details on the bark of the tree and not blow out the sky or the clouds, GND filter won't do the job. But mixing two or more exposures in Photoshop will.
Which is still not remotely accurate to the lighting of many real life situations. Try using graduated filters to light the back lit branches of a tree in winter while maintaining clean and clear detail on the clouds behind it? Or try using grad filters to photograph a dim room while not blowing out something in full sun outside the windows?You do know that the Cokin filter system allows you to sandwich two GNDs and adjust to taste. No?
do
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?