I have a copy of Henri Cartier Bresson: Photographer (Thames and Hudson 1980). It’s a collection of 155 photos selected by HCB himself. The photos are divided into 6 sections, separated by whole blank pages. It has been bugging me for nearly 40 years now that I cannot figure out what the significance of those 6 sections is. They are not chronological and I cannot discern any connecting theme within each section.
Does anyone else own this book and have the answer?
I have a copy of Henri Cartier Bresson: Photographer (Thames and Hudson 1980). It’s a collection of 155 photos selected by HCB himself. The photos are divided into 6 sections, separated by whole blank pages. It has been bugging me for nearly 40 years now that I cannot figure out what the significance of those 6 sections is. They are not chronological and I cannot discern any connecting theme within each section.
Does anyone else own this book and have the answer?
I have a copy of Henri Cartier Bresson: Photographer (Thames and Hudson 1980). It’s a collection of 155 photos selected by HCB himself. The photos are divided into 6 sections, separated by whole blank pages. It has been bugging me for nearly 40 years now that I cannot figure out what the significance of those 6 sections is. They are not chronological and I cannot discern any connecting theme within each section.
Does anyone else own this book and have the answer?
The multi-quote tool isn't working for me this morning, but thanks to all three of you. It's good to know that the answer isn't completely obvious!
It was helpful to learn about the re-issue by Delpire. This morning I have sent an enquiry to Fondation HCB, in the hope that they might have someone on staff or among their associates who knows the answer. They are presumably in contact with Delpire anyway. I'll report back if I hear anything helpful.
I have a copy of Henri Cartier Bresson: Photographer (Thames and Hudson 1980). It’s a collection of 155 photos selected by HCB himself. The photos are divided into 6 sections, separated by whole blank pages. It has been bugging me for nearly 40 years now that I cannot figure out what the significance of those 6 sections is. They are not chronological and I cannot discern any connecting theme within each section.
Does anyone else own this book and have the answer?
Perhaps those blank pages are intended to be opportunities for the reader to quietly reflect upon what was just read.
That crossed my mind too, but the sections have respectively 34, 30, 34, 11, 20, and 26 photos (=pages).I would guess this might be due the nature of the printing process. The total number of pages in a book has be divisible be either 8,16 or 32 for a book imposition to work. If the publisher and the designer had to work with a set number of selected images by HCB for each section, it would probably have made sense in order that the images remained in their correct section to fill the imposition with blanks to make up the required number of pages. In doing this it would also keep all the pictures from a section on one press sheet making it easier for the printer to balance the images on the press. This is only a suggestion but a possible answer without having seen the book.
That crossed my mind too, but the sections have respectively 34, 30, 34, 11, 20, and 26 photos (=pages).
Even taking into account the title page, introduction and end notes, I don't think that explaination works.
In any case, why not put in 6 extra photos? It's not as though he didn't have others too choose from!
This book was made by the publisher Robert Delpire. Indeed the sections are not chronological, the choice is aesthetic. The continuity of the images should be pleasing for the eye. There is no other explanation.
...
Ah well, perhaps I just have to let it go.
I have just received the following kind reply from the Fondation HCB.
<<
Dear Jonathan Reynolds,
I appreciate your enthusiasm for this book.
This book was made by the publisher Robert Delpire. Indeed the sections are not chronological, the choice is aesthetic. The continuity of the images should be pleasing for the eye. There is no other explanation.
In the republished book, the sections remain.
All my best,
Léa Thouin
Collections
Fondation Henri Cartier-Bresson
79 rue des Archives - 75003 Paris
www.henricartierbresson.org
>>
I really appreciate that they have replied at all. But I have to say, I remain puzzled. In what sense there is continuity of the images still baffles me. I don't see why sections are necessary at all if continuity is the aim. Nor do I see why those sections vary in length from 11 to 34 photos: there must have been a reason for that.
Ah well, perhaps I just have to let it go.
Ah well, perhaps I just have to let it go.
Remember, Cartier-Bresson was close to André Breton and influenced by the whole Surrealist movement.
I wouldn't overthink this.
David Lingham's explanation sounds reasonable to me. I've made several hand-made books and printed the pages through my computer on double sided paper so each sheet folded in half makes four pages. I have noticed in recent years that many books have one image printed across two adjacent pages perhaps as a work around or fad? Personally, I prefer one image per page.
A side note: some years ago while on a trip to Paris my wife and I were in the HCB institute and met the director. We struck up a conversation and he asked if we would like to meet Mr Bresson. He was going to take us to his apartment but Mr Bresson couldn't make it at such short notice and suggested the next day but unfortunately we were leaving the next day. As is said "what a difference a day makes".
A Surreal Friendship • Henri Cartier-Bresson • Magnum Photos Magnum Photos
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