I developed prints in HC-110 (Dilution A, IIRC) back in about 1975. With Velox paper, it produced an extremely blue print tone, which would convert to a very warm, almost sepia tone if exposed to white light while in the Kodak Indicator Stop Bath (even after being in the stop for a considerable time). No idea what if any "odd" effects it might have with more modern papers; haven't tried it, since I've got about four gallons of Dektol stock left and some Clayton paper chemistry I inherited lined up behind that...