Turn that GAS into PAS: print acquisition syndrome.
I've got to agree with Mike. A 6x6 negative, when cropped to fit an 11x14 print is using only about 6x4.5 from that negative anyway, so what's the point?
[...] Some real benefit will be seen by going up to a 6x7 negative because you will get to use much more of the negative to make that 11x14 print.
First, you do not have to crop.
For an 11x14 from a square neg? How be that possible???
How can you possibly compare 135 with LF or even MF?? If size makes no difference then go buy a Minox and make billboard-sized images. With this logic resolution/grain are independant of film size.
Even the digital crowd consensus is that a bigger sensor yields better results... even when pixel count is the same.
I think John N's point is that the "feasible" print size for a given film format is entirely subjective. It depends on the printer's/viewer's personal taste. For some purposes, a Minox neg blown up to billboard size would no doubt look great.
Ian
Good photographers crop while they are taking the photograph. Then they print on large enough paper so that they do not have to crop again.
There is no law that demands that you print to standard size prints. If you like square then shoot square; if you like rectangular then shoot rectangular. Choose the format that you like but allow yourself to compose the the shape that you do not have with you when that is what is called for by the composition.
Steve
First, you do not have to crop.
For an 11x14 from a square neg? How be that possible???
O.k.
"First, you do not have to crop" the negative.
How about a nice 11x11, or 14x14?
Fact is, if you want a rectangle from a square, you're going to crop something.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?