Since we're talking Hasselblad parts, does anyone mix chrome and black parts or is that sacrilegious? I have an all-black 500 c/m and looking for an extra film back, but the best deals are for chrome. Would I look like even more the rube that I already am to walk around with that?
Since we're talking Hasselblad parts, does anyone mix chrome and black parts or is that sacrilegious? I have an all-black 500 c/m and looking for an extra film back, but the best deals are for chrome. Would I look like even more the rube that I already am to walk around with that?
You all are way more relaxed than Leica folks. Just sayin'.....
So, it looks like a consensus is building that I wouldn't necessarily be a bigger rube than I already am....
You all are way more relaxed than Leica folks. Just sayin'.....
Really love your description of the monochroms!Well, there are several groups of Leica "folks". There are people that want to make images with them an are happy to live with cameras and accessories that are not cosmetically perfect so long as they work well. I am one of those. I have a IIIf with an uncoated collapsible Elmar to prove it.
Then there are the collectors. These are people who - for various reasons - seek out the closet to perfection they can find and/or look or rare and hard to find items. They may do so as an investment, as a hobby, because the historicity of the camera is appealing or what have you.
Then there are the pretentious, preening hipsters that think having a $10,000 digital camera that only shoots monochrome makes them "ironic". Preserving the pretension of the brand and waving it around in people's faces is their core skill. I just put a roll of Gooberpan 400 through my Leica MP with a bespoke pinhole lens for that dreamy look, man. They are not infrequently to be found in the varioussewersprovinces of entertainment, music, pop culture, and most of all, internet "influencers". Bah. ( I deeply admire Leitz marketing for finding ways to part these people with their money.)
...mixing backs makes it easier to identify the different film stocks (...as Ansel mentioned above).
I've got a black 500CM and a chrome 553ELX and 500ELX, and really, I kinda prefer the look of the chrome over black, anyway.
I would also take an educated guess and claim that chrome parts are easier to find. I am trying to buy a black late-version WLF and it seems rarer than hen's teens.
I did the same thing- 500 c/m first, then the 500 ELX (so cheap!) and then a 553ELX- but why? A back up to the back up? I guess I just couldn’t resist such a beautiful piece of machinery at such a low price.O/T buy why 2(!) motor Hasselzadehs?
(I like them, maybe I should follow your example, and its seems most people don't want them)
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