Use and lack of use. Most people don't use the 250mm lens very much, therefore the demand of it is far less than for the 80mm. If your reasoning was correct, the 50mm lenses would sell for much less than the 80mm and that isn't so. If the 250mm lens was used more, it would sell for more. I don't consider the 250 as underrated, more undervalued, perhaps, but any of this equipment is only worth what people are actually paying for it and not more. Normal in photography doesn't mean the same thing as "cheap". Leica 50mm Summicrons are "normal" but not "cheap". Even 50+ year old ones.........Regards!Hello, fellows!
After missing a sweet deal yesterday on a Zeiss Sonnar 5.6/250mm, I went to eBay to check on what’s available. I did find some great deals on this lens, but then I saw ads for Zeiss Planars 2.8/80mm for double the price of the 250mm!
Why is that? Is the 250mm underrated/undervalued or is the 80mm such a great lens? I mean, technically, it is a great lens, but this can be said about pretty much all Hasselblad lenses. Being a “normal”, I thought the 80mm should be one of the “cheapest” lenses, but it seems I’m wrong.
Cheers,
Flavio
Hello, fellows!
After missing a sweet deal yesterday on a Zeiss Sonnar 5.6/250mm, I went to eBay to check on what’s available. I did find some great deals on this lens, but then I saw ads for Zeiss Planars 2.8/80mm for double the price of the 250mm!
Why is that? Is the 250mm underrated/undervalued or is the 80mm such a great lens? I mean, technically, it is a great lens, but this can be said about pretty much all Hasselblad lenses. Being a “normal”, I thought the 80mm should be one of the “cheapest” lenses, but it seems I’m wrong.
Cheers,
Flavio
I have been using the 250 a lot recently. It fits a project I'm working on right now. It's my most used hasselblad lens of the last six months. It's a good lens, mine is the C, T* version, black.
eBay buy it now asking prices are not necessarily a good measure. Look at SOLD listings. They're a better reflection of the actual market.
If your reasoning was correct, the 50mm lenses would sell for much less than the 80mm and that isn't so.
My reasoning was more like wide and long lenses, being more “specialized”, would cost more than a normal lens.
For most 35mm SLRs, normal lenses are cheap, except for the very fast ones, like f/1.4 and below — Noctilux is a good example, but also the Nikkor f/1.2 and Canon f/0.9.
In my experience, the larger the negative, the wider the lenses. Long lenses are great on 35mm formats. But with larger formats comes heavier cameras that are harder to hold steady. Plus, you can always take a photo with a wider lens, and crop it to mimic a longer lens, since the negative contains so much detail.
Plus, longer lenses are most often used for wildlife, sports photography and things like that. And for those genres, you usually want a smaller, lighter body, and smaller, lighter lenses. Formats larger than 35mm tend to be used mostly for landscape, architecture, and portrait. Lenses for those genres tend to top out around "medium telephoto".
I'm not saying that nobody uses longer lenses with larger formats, or that they're not useful for other genres. I'm just saying that there's less demand in those markets.
Fully agree with you Andy! this is how I ended up with « all » the lenses in Hasselblad’s lineup (save for one or two, such as 30 or 350)The 150 f4 is my most recent purchase, and I'm falling in love with this lens. I think that all Hasselblad lenses are increasing in price so quickly that we should be picking up bargains when we see them - even to the point of duplication. The same seems to be true for bodies and many accessories. The golden age of bargain Hasselblads has ended.
Andy
First of all the prices are eBay prices which has nothing to do with reality.
Fully agree with you Andy! this is how I ended up with « all » the lenses in Hasselblad’s lineup (save for one or two, such as 30 or 350)
The item which seems in shortest supply in my opinion are the backs, therefore pick those while you can. (I’m eyeing a E12 at the moment, price has just dropped as it was not selling. No point for me for a back with electronics except that it’s the latest model, with newest mechanics, and has a dark slide holder.. )
Andy: A24 backs are easily converted to A12, there are spare parts for that. If you can find nice A24-N (the newer ones with dark slide holder) and are able to change the gears yourself you can even do that for a profit. An A12-N in good condition goes for 300 - 350 euros here... crazy. I bought a couple for less than 250 a couple years ago.
In searching "that place" for used backs, I discovered that as A-12 backs approached $200,
In my understanding, the spacing between frames could be a bit off and the pressure of the pressure plate somewhat different due to the different thickness of the film (no packing paper.) Not sure how that influences film flatness.Interesting. But why would I need to convert for my own use? I just use the magazine crank to go through the rest of the film after I've shot off frame number 12. Is there some other advantage to converting the back itself?
Andy
In my understanding, the spacing between frames could be a bit off and the pressure of the pressure plate somewhat different due to the different thickness of the film (no packing paper.) Not sure how that influences film flatness.
I have to say, I never used 120 film in an A24 back - if yours works without modification, obviously no need to change!
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