Is it the 100mm that's f/2?
There's a lens that seems ideal for portraits...coupled with a 60mm who could ask for anything more.
Is it the 100mm that's f/2?
There's a lens that seems ideal for portraits...coupled with a 60mm who could ask for anything more.
to me the distortion of the 40mm is part of its charmIf you understand MTF plots you can compare them. I think they are posted on http://www.hasselbladhistorical.eu/HS/HSTable.aspx
The 40mm lens uses your camera body, but it is suseptable to distorion. I prefer the SWC because it is rectilinearly correct. See one of my photos below Look at the verticals near the edges.
View attachment 170059 View attachment 170060
Yes, I like a similar spacing 50,80,150,250.Personally, I like the 50mm lens. The 60mm lens is too close to the 80mm lens for me. [Just like I prefer the 28mm lens over the 35mm lens in 35mm. The 35mm lens is too close to the 50mm lens.]
I like the spacing of the 38mm [SWC], 50mm, 80mm, 250mm lenses or 38mm [SWC], 50mm, 100mm, 250mm lenses for the Hasselblad.
For sure I'll get used to it, for now a good 60 is way to expensive for my pockets and the priority is to get a 150mm Sonnar to complete the set.Ugh! I believe that you will be happier with the 50mm in the long run.
here you can see what the 60mm Distagon looked like.
I clearly asked him about the presence of scratches, dents, "fog" and fungus. He assured me the lens was in mint conditions, aesthetically and mechanically it was true, but optically it was a total disaster. After seeing what it looked like I immediately called the seller and he said something like "I work as a photographer since mid seventies and your experience is nothing compared to mine, I can assure you that it won't affect the performance of the lens"That's a shocker, you wonder what the seller was thinking "maybe he won't notice? " !!
as a door stop.I can assure you that it won't affect the performance of the lens"
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