The baffle can be pushed back into the correct position as described above, by holding the shaft.
Migration of the upper baffle is a symptom of the mirror brake. As the mirror brake becomes less effective, the shock from the mirror's end travel causes the baffle to shift on it's shaft. The mirror brake consists of a large rubber disk, which both wears and hardens over time (and it's been a long time!), making it less effective. I don't know of a good supply of replacements as NOS stock is rare, and hardened by age.
I've bent a few back into place, but over time, they will shift again. Not a big deal. The other issue is the mirror shock - but I've not noticed anything significant to the resulting image captures, and I still take a lot of pictures without the mirror pre-release. Keep in mind the mirror foam also plays a significant role in mirror shock.
Exactly, Brian. Looks like a maintained recent 500 series body will be the thing for me, at a cost of course. That is my plan, if I decide to integrate the 60mm into regular shooting and lighten the load by losing the motor.It’s the older, well-worn, and bargain-grade to avoid. They are a joy to use and can produce some fantastic images.
Not certain if you mean any V series Hassy. When I say 500 series, I mean the 501, 503, etc. cameras also. It looks as if some of the more recent bodies will have a larger chance of better condition and less professional-level wear and tear. All in all your experience seems to be more common with Hassys than, say, Leicas."A maintained recent 500 series body" exists only a concept, lol.
Well... $800 for the overhaul tells me it was not "well maintained"..."A maintained recent 500 series body" exists only a concept, lol. I had the bug almost 20 years ago and picked up a nice looking well maintained 500c, which I discovered has a slight focus issue, so I sent it to NJ and they promptly overhauled it to the tune of $800 with a list of repairs that was eye-opening.... <snip>
I got a decent deal on a 553 ELM
Why not use that? If it's not working, my bet is you could get it working pretty easily. They're not as mystical as people make them out to be - especially the EL* ones.
Yes, I know that Hasselblad V cameras do great things and are a pleasure to use most of the time. Not to set of a firestorm, but the real reasons I have stayed away from Hassys are the noise on shutter release and the mirror blackout. Seriously. This is very idiosyncratically personal, I know, and I don't go around tell others to stay away because they are an aesthetic nightmare at shutter release for my taste. Lots of people with good taste using Hassys out there...
I want to try the Distagon 60mm. Pure and simple. Looking at how and what I shoot, I think it could be a very comfortable focal length. For me!! (Ok, please note the 'for me' this could be a nice lens, no need to argue about it.) I've shot a 50mm on a Hassy and it was too wide (for me, again!). I am simply not getting on with the Rollei Wide 55mm, for reasons I am not certain of. So to try a 60mm in 6x6, a Hassy body is needed.
I got a decent deal on a 553 ELM, back, finder, and 60mm Distagon. The 60mm might turn out to be a good focal length for me. So I was poking around at a possible body without the motor mass on the bottom. I saw the camera that I asked about, drooping upper rear shutter door, and here we are!
I fiddle, I dive into mechanical cameras to clean and maybe fix, etc. Already had to clean the back on this Hassy and lost the red/white flag mechanism! SLRs, 35mm or 120, are not cameras I like working on. Hassys combine SLRs and the potential to be excellent shooters. Out of respect for their level of craftsmanship and reducing number in the world, and my lack of proper tooling, it's best that I keep out of them. I can't begin to afford to collect a few Hassy cadavers if I tried to learn how to work on them.
I wasn't sure if the drooping shutter was cosmetic, would need work, and/or maybe indicative of deeper issues. Sounds like at least some internal work needed, and I don't want to learn how to work on Hassys.
Exactly, Brian. Looks like a maintained recent 500 series body will be the thing for me, at a cost of course. That is my plan, if I decide to integrate the 60mm into regular shooting and lighten the load by losing the motor.
It's heavy!
I love the THWACK! of the Hasselblad shutter. It announces that I have arrived.
Spoken like the kind of person who never turns off the honking of their car alarm each time they lock or unlock the car.
Bending stuff is the genuine Hasselblad way of fixing things.
Spoken like the kind of person who never turns off the honking of their car alarm each time they lock or unlock the car.
I assume you mean the horn?
One of our cars honks the horn when you unlock or lock it.
And you can't change that.
It's heavy!
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