I'm continually amazed at the ability of Hasselblad lenses and coatings to fight flare. I recently photographed a dark-toned room with very bright windows and saw no noticeable flare bleeding into the room. This is with an early 90s 50mm Distagon, not a FLE.The admission price may be steep, but the gear is worth every penny.
Peter Gomena
And yet people keep posting "Should I buy a non-T* C lens? I can save almost $60US." "C lenses are oh so cheap." There is a reason. The market tells the story.
I'm continually amazed at the ability of Hasselblad lenses and coatings to fight flare. I recently photographed a dark-toned room with very bright windows and saw no noticeable flare bleeding into the room. This is with an early 90s 50mm Distagon, not a FLE.The admission price may be steep, but the gear is worth every penny.
Peter Gomena
Regarding the "bit heavy" part - would you say you're able to walk around town with the Hasselblad or is it really more of a studio or tripod-based camera?
Indeed.
Yet i must confess that i have substituted the F 50 with a CF 50 many times i knew i was going to carry the stuff all day long.
I once read that Hasselblad when they receive the lenses from Zeiss AG test them in their quality control dept., and reject around fifty percent of them and return them as being below their standard they want to supply to their customers, so they know every lens they supply is a good one.Not meaning to be a smartass, but Carl Zeiss AG made the lens, not Hasselblad.
Hasselblad makes the camera bodies, and Zeiss makes the lenses.
But I agree that these lenses are first-rate.
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?
We use cookies and similar technologies for the following purposes:
Do you accept cookies and these technologies?