Has anyone made a silver halide emulsion from agar agar?

grainyvision

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So I've seen a lot of discussions where agar agar is mentioned as a potential thing that could work in place of gelatin, and I'll completely side step the huge distraction that tends to come up with this topic by saying that my sole reason to want to avoid gelatin is that it is very annoying to work with.

Agar agar seems to surprisingly have quite a bit going for it as a potential replacement for gelatin in emulsion making:

* It seems to be more porous than gelatin. A simple test with a silver chloride emulsion "lump" thrown into developer for 2 minutes resulted in a dark line about 1mm from the surface, when I broke the lump open. A ~6mm thick lump of silver chloride become about 90% clear in TF-5 fixer, after 5 minutes. This would mean a thicker coating could be practical
* "damp" processing of agar agar emulsions is possible. As soon as it is cooled to room temp it can be exposed and processed, it will not melt, even in hot solutions which are below its melting point. Note that "damp" processing is subject to finger prints and smudging since it is still soft, but otherwise could be a very interesting process tool that would enable rapid coating and processing, similar to wet plate processing
* Alcohol seems to be more useful for reducing bubbles in the emulsion and thinning it out without making it impossible to set
* It has no problem sticking to the few of the papers I tried, but is also more resistant to soaking through the paper.

I floated a piece of dry platinum paper on the surface of the emulsion and let it sit there gently poking it until the paper started to curl up, I then lifted it from one end and let it drip from one corner. Aside from it being too thick at that corner, the coating appeared to be sufficiently thin, uniform, and pliable, with no issues once dry. It appears to be a more "pearl" style finish than hand coated gelatin. I also tried a few other coating methods and the only one that could have potential is a coating rod. If floating is a reasonable coating method, it'd honestly be preferably to me but floating with gelatin emulsions is practically impossible (soaks through paper too easily, and gets onto back too easily)

Anyway, I've seen a ton of topics mention agar agar, including the great PE claiming it had been researched by Kodak, but determined unsuitable. The biggest annoyance I see is just how hot the emulsion must be to keep it liquid, which also means more evaporation. However the relatively high setting temp and rapidness of setting is I think an extremely useful thing to consider.

Either way, I haven't made a "real" emulsion yet. I've only confirmed that the core properties of it seem promising. It keeps silver chloride suspended, does not directly react with silver nitrate, is compatible with acidic pH and alcohol, is porous enough for developing and fixing, sticks to paper without soaking through, and is not too brittle when coated on paper.

Has anyone actually gone through the steps of trying to form and coat a real silver halide emulsion using agar agar? What were your experiences? And please please please, lets avoid the whole"V" word that always comes up when this is discussed. I only care about avoiding the annoyance of working with gelatin and its long dry/set time...
 

mshchem

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I never knew this. (source is Wikipedia)

Liquid–solid-phase transitions
Hysteresis manifests itself in state transitions when melting temperature and freezing temperature do not agree. For example, agar melts at 85 °C and solidifies from 32 to 40 °C. This is to say that once agar is melted at 85 °C, it retains a liquid state until cooled to 40 °C. Therefore, from the temperatures of 40 to 85 °C, agar can be either solid or liquid, depending on which state it was before.

This could be handy, compared to waiting hours for gelatin to dry. Still I've done my time coating paper. I might try again, especially with the nice papers available today.
 

mshchem

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A bit of topic. I just watched your YouTube video on lith printing. I will have to try it sometime. I'm a big fan of Fomatone warm tone paper, so responsive to toners.
Good luck with your research.
 

Andrew O'Neill

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I make carbon transfer prints using traditional gelatines. I've thought about giving agar agar a go but never got around to it. I don't see why it wouldn't work. Next time I'm in my local Japanese grocery store, I'll pick some up.
 

Peter Schrager

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I'm making the POP EMULSION and set time is not a problem..I usually do about 15 sheets of paper and the time I coat the last one I can start hanging up the first one I coated because the gelatin has already set
Drying time can be fast or slow depending on RH AND TEMP
I did use some agar with cyanotype varying rates of success
 
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grainyvision

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I did a test run. It is much more painful than I expected. Specifically because it must be heated to such a high temp and kept fairly hot. I think it is still workable for small paper sizes like 4x5 using my basic setup, but only barely.

The solution I made was so thick that Storting had to be done with a spoon, magnetic stirrer was completely useless even after diluting by 200%. Agar definitely behaves different than gelatin would here.

I made a very simple chloride emulsion. Unsure what went wrong, but it was too fogged to use as a developing out paper. It worked as a printing out paper but not well. I ended up scrapping it after a few damp test runs (which is an extremely useful property for testing!!). However, I'll try remeltibg it and using it for coating again tomorrow. Honestly I likely won't do much more with it until I can get into my new planned darkroom space. Coating is just toi painful in my small setup.

I'll attach pictures of results when they're dry tomorrow
 
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grainyvision

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The problem is after setting, if you get it wet it tends to peel and otherwise damage the coating. Also contact printing against wet gelatin is hard since it's so soft. In my setup it takes 2-3 days for paper to dry in darkness which is just unsuitable for me
 

RogerHyam

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From limited experience: My understanding is that gelatine isn't just working as a support material for silver salts but actively promotes the photochemical reaction. Using agar as a support medium in a paper based process will work because it is just a kind of size and the benefits come from the paper. You can make salt prints with no size at all. Using an agar based emulsion on an inert material like glass wouldn't work well if at all.

[Aside: I've been a vegetarian for 30+ years and am now nearly vegan so was reluctant to start using gelatine for my creative endeavours but eventually decided this was an area where I would use animal products. Maybe one day I'll move from gelatine dry plates to calotypes but I have a kilo of photo grade gelatine that will last a long time. I trust that after nearly 200 years of people trying to make a non-gelatine based emulsion I'm unlikely to crack it in my spare time - but would love it if someone else did!]
 

Lachlan Young

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@earlz Your comment about gelatin being 'very annoying to work with' was (in one way or another) essentially what drove Kodak and others to try and find replacement materials for it. The issues with those replacement materials for gelatin are summarised quite succinctly in Woodlief Thomas' SPSE Handbook - the gelatin extenders hinted at are things like PVA, PVP, PEG etc - some of which (as your lith work has shown) can have a wider impact on other development characteristics.
 
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grainyvision

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Here are the results: https://imgur.com/a/YhudUmv quite poor. The brown print did have 120 frame outlines from the contact print, but I guess it was under fixed and the image disappeared while drying in light.

I know photo gelatin does not contain sulfur or other "significant" ingredients to the emulsion, but the emulsifying agent definitely affects the rate of reaction. If the reaction is too little, then the emulsion will be extremely slow and fine grain. If the reaction is too much, then the emulsion will be large grained but likely fogged. I assume that in my case the reaction was too much, likely due to the extremely high temp I tried to keep it at to make it thinner, which definitely did not work. I believe agar is kind of strange in that as long as its above 100F and melted, its basically as viscous as it'll get and more heating won't make it thinner and easier to work with. I noticed during coating that basically from start to finish with coating using the floating method, the thickness of the coating emulsion was pretty much the same. That can be a really interesting property to exploit, but I need a good way to keep the coating tray above 100F.

Also, it seems that agar can stick to aluminum foil quite well. Could be interesting for metal coating. I did not notice any adhesion to glass. It seems to be slightly sticky to PET, but not very well and only when actually dry, not at all damp. Other than the rapid cooling and need for heating, the floating method of coating definitely worked well too. I was able to produce prints which seem to be fully fixed at 30s in TF-5 aside from the corners and edges which can easily be trimmed.

I think next time I will make a "puck" of unsensitized agar emulsion over a stove top, and then melt that just before making the emulsion. And definitely far less agar added. It seems much more potent than gelatin.

Either way, as of right now, this could definitely be a very interesting paper sizing which mimics the feel of gelatin but is somewhat easier to work with, could very easily be used for salt print sizing/emulsions, and POP emulsions. However, unsure if it is neutral enough for developing out emulsions.

edit: addition method for silver nitrate was a 20% solution, slowly (over about 30s) poured into the emulsion while stirring by hand with a spoon as rapidly as possible.
 
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grainyvision

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So I've tried doing some alt process stuff with agar and I think I'm learning it a bit better and it is a reasonable agent for sizing... but it's also far from perfect.
Specific recipe used was 4g agar in 500ml distilled water.
Cyanotypes: Seems to result in minor loss of density and sharpness. I believe the prussian blue is a little too mobile within the agar emulsion. Might still be a reasonable sizing with a much thinner emulsion, like 0.5g agar in 500ml
Salt Prints: Added 1.6g sodium chloride and tried a few different coatings of silver nitrate. I tried 20% and 10% and double coating of 10%. The double coating seemed the most reasonable in speed, contrast, and density, but for unknown reason every salt print either produced a strange mottle which seemed to come from under the paper, or overall dmin brightness for unknown reason just... got darker after fixing and in the wash water. No issue occurred until using tap water for washing after fixing. Tried 2 known decent papers 1 unknown and all 3 were the same failure.
Kallitypes: This actually worked super well. Picture of the print is below. Using 20% potassium oxalate to develop and 10 drops 20% silver nitrate, 14 drops 10% ferric oxalate to coat. There was a very slight mottle which I believe may have been an uneven emulsion thickness. No issues I could detect with clearing etc, but needs more test runs to really be certain. Sharpness is excellent and the texture is delightful, similar to handmade gelatin emulsion pearly kind of finish except with a bit more gloss. No problems processing using hot water either, the emulsion did not get at all soft where it could smudge or get finger prints etc.

 

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@earlz .. if you haven't, you might consider going over to the light farm and poking around there to see if others have used agar agar. Denise Ross might be able to offer some suggestions on concentration and other things.
John
 

benjiboy

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I don't contemplate making anything out of agar agar, because I don't know what the hell it is.
 
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grainyvision

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@earlz .. if you haven't, you might consider going over to the light farm and poking around there to see if others have used agar agar. Denise Ross might be able to offer some suggestions on concentration and other things.
John
I know she visits this forum at times, but not a bad idea. I couldn't find anything at all about actual usage of agar agar though before starting this. Just "well in theory maybe it'd work" or vague "I tried it and it failed" with no further details.

I don't contemplate making anything out of agar agar, because I don't know what the hell it is.
It's uhh dried seaweed dust I think? it's a super interesting potential partial replacement to gelatin. My favorite property is that it has hysterisis around its melting and freezing point. It'll melt at ~90C, but it freezes at ~35C, and weirdly its texture and thickness does not seem to change with heat. This can make it hard to work with but also surprisingly consistent as long as you keep it hot, and the emulsion is much more hardy... the biggest problem I've had is that the temperatures I need to work with it at sometimes can be a temp too hot to submerge your hands into. Regardless, still doing more research in between 2 other projects I have going
 

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I've read in one of my books that agar agar can be used for sizing paper too. It needs a little amount of citric acid: 1% to soften the gel and 2% to make is spreadable. Some use carrageenan too. The formula is:
2gr agar agar
6 g potassium chloride
4 g citric acid
200 ml water
 
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grainyvision

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Is this for salt printing? Seems like a ton of salt
 

DMJ

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