OK, these threads are dangerous! I now own five Pentaxes having just bought an MX. Please don't mention the medium format Pentaxes, I just cannot afford it. (Yes, I know, but I don't do will-power.)
Also, the P67 / P6x7 prices are still low, so you MUST BUY A PENTAX 6X7 RIGHT NOW...
Also-ran maker using big promotional budget to try to overtake the big boys. Also tended to have low regard for potential customers.
Pentax was my dream camera when I was a kid. I used to dream of the Honeywell Pentax and the potato masher Honeywell Strobonar. Was so cool. But when I bought my first camera it was a Nikon F2AS. In recent years I have a few old Pentax and I think they are very good.
And please no K1000. If someone is willing to pay for shipping he/she can have my K1000 and the 50mm f/2 (I think this lens was designed for the K1000).
If you have been using film for a long time, that is before the digital age, I would like you to help me with a casual survey that take mere seconds. The question is:
When you think of Pentax from the film era, what are the first things that come to mind?
Simple and short answers are the best, please. And preferably in the order you think of them. This came up as a topic of discussion recently.
Thanks so much.
I have read that in 2001 Herbert Keppler compared a Super Multicoated Takumar 50mm 1.4 lens against a Summicron and came to the conclusion that the Tak was just as good as the Summicron.
I have read that in 2001 Herbert Keppler compared a Super Multicoated Takumar 50mm 1.4 lens against a Summicron and came to the conclusion that the Tak was just as good as the Summicron.
When I think of Pentax I think of the great Takumar lenses and cameras that just feel good in my hands (my favorite, the KX). I own a variety of models plus my first medium format camera, the Pentax 6X7.
Of course, I also think of the Beatles with their Pentaxes. Being a Beatles fan growing up, that could have helped me with my decision to go with Pentax when I bought my first slr, a K1000.
Fine, reliable SLR cameras with an uncanny ability to fit nicely in the hand, with silky-smooth controls, fitting a wide range of good optics.
A company that let us transition from screw to bayonet with just a mount adapter, then from manual focus to autofocus without rendering all our MF lenses obsolete.
OTOH: They were about 7 years behind Minolta in full-aperature metering.
I was unimpressed with the AF in my ZX-7 (AKA MZ-7). Sometimes it would not find the focus, and the shutter would not trip at all.
On-topic question: Other than the obvious handicap in XL photography, how did the 55/1.4 Super Tak compare with my 55/1.8? (I'm very happy with mine). How does the 50/1.7 A (bayonet) compare with either?
I have a loaded ME Super as I type this.
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