Tanks! Yes, here they are just as they came from the light table with no processing whatsoever.Would prefer to see the negatives. Can you photograph them and put them up?
Probably underdeveloped, and definitely under-exposed.Would you say that they are underdeveloped
Thank you!Probably underdeveloped, and definitely under-exposed.
Although not perfect, this may help: https://www.ephotozine.com/article/assessing-negatives-4682
Tanks! Yes, here they are just as they came from the light table with no processing whatsoever.
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To my eyes, you have a lot of base fog, which may be from the age of the film. The exposure seems a bit thin, but not overly so. Have you tried setting the white point in the editing SW to a spot in the rebate (as a negative), before other adjustments? That may help give them a little more snap.
Gray base is common . You could fix a bit of the film to find out how much gray is “zero”.
Looks like exactly correct exposure. Most of the time I expose more because I want to have extra detail.
Underdevelopment is relative. If you had been out in bright daylight with a variety of shade, you would have more contrast.
Indoors I think you setup your studio with low contrast lighting. So you should develop longer if your lighting is going to be like this.
Not sure why we are even talking about neg problems. If cerber0s had used the magic of the white point adjustment ( means nothing to me as a darkroom printer, unfortunately) as he did in his second attempt and had shown us this initially would anyone of us have mentioned under-development/under-exposure or might we have said "Good job?"
I suspect I would have done. If it's a matter of expert scanning with inkjet printing, does it matter much how the negs turn out "within reason " Said phrase of "within reason " occupying a large range of what is an acceptable negative
pentaxuser
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