hard contrast
If you want it for paper there are limits. If I had the intent of hard contrast but continuous tone, I would start by shooting the film and then developing it to a higher than normal contrast - say D19. Then the option of exposing on a hard contrast paper in a conventional print developer.
A harder contrast route, but with more steps to adjust the process, is to take a normal processed continuous toned neg, and expose (enlarged or contact printed onto lith film. Develop the lith positive to the CI you want, (D85 for full lith all black and white, no greys and then contact to lith again, or continous tone again, as the mood suits you.