My wife was a photo colorist for a N.Y. lab back in the "60's. The prints were Sepia toned and then treated to the transparent colors. As I recall, red and blue were the avoided colors when possible. Couldn't believe how quickly she could work; of course, production incentives kept them moving!
Ian,
When, how did the colorist get involved? Was he present at the shoot and make notes for colorization? Did he use his imagination on coloring? How true was the coloring to reality?
Very cool photograph. I don't know if this was a thing in parts (all) of the US, but I really don't remember seeing such images. Thanks for posting.
Thanks for the recount. It's clear to me that a good deal of work and planning had to go into the photograph. A wonderful family photograph to be treasured.The colouring was as true to reality as I remember,, that was the carpet colour, the armchair and cussion as well, also the fire place still looked like that when my parents moved out around 18 years ago. So it seems no artistic licence, I don't remember now it's over 60 years ago but its probable the photographer had an assistant who did the colouring, they may have revisited the house while we were at school.
I think it was a short lived niche phase after WWII, reserrecting old techniques, colour films were just becoming more common, my father had been shooting Kodachrome for a year or so but colour print films hadn't really reached a similar quality that didn't really happen until C41, my mother's C22 shots with a 1963 Instamatic don't reach the quality of thefew Agfacolour films . I used before switching to C41 films.
What I do remember was the photographer was meticulouus, this was the third time he'd taken my photo, first at 18 months to two years old, gain when my firts sister was a similar age, and then this third session when my second sister was a similar age. I think his name was Clifford Morris, he possibly took my parents wedding photographs as well which I have somewhere. I should add at teh time my father was Works Engineer/Works Director for a large International carpet company they actually had quite a large in-house photographic department, 3 or 4 photographers and also assistants. So he'd have asked their advice, in all areas there's always one portrait photographer who stands out and I guess Clifford was the one around here.
Ian
Do you do any hand-coloring?I resurrect this thread because I LOVE hand coloured portrait and this is the cutest.
Do you do any hand-coloring?
I do a lot of it. In fact, almost all of my photos are hand colored. It works for portraits, landscapes, architecture... If it can be photographed, it can be painted.I've only done it once and it was lots of fun, so I would like to try again, but I need the right picture for it
Awesome, well done you! Do you have any examples to show us? I'd love to see themI do a lot of it. In fact, almost all of my photos are hand colored. It works for portraits, landscapes, architecture... If it can be photographed, it can be painted.
Thanks for sharingThe vast majority of my Gallery images are hand-colored:
https://www.photrio.com/forum/media/users/eddie.7343/
I have been experimenting, over the past several months, with hand coloring inkjet prints (but not portraits) using colored pencils.
One can see a few examples and a description of the method in this post: https://www.photrio.com/forum/threads/hand-colored-inkjet-print.179779/
There are a few more examples on my blog, here: http://gorga.org/blog/?p=4921
One needs the right photo, but it is fun and 'different'!
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