fgorga
Member
I hope that this is the correct place for this post/process/photo!
This photograph began with a digital file made by photographing the ground glass of a camera obscura. The original file was cropped (the ground glass is square), converted to black and white and the levels/contrast adjusted.
A four and a half inch square print was made using Piezography Warm Neutral inks on Hahnemuhle Biblio paper. This paper is fairly warm and has a subtle texture; it is not specifically coated for inkjet printing. (The process works just fine with standard Epson inks and with many matte papers.)
The print was then colored with Prismacolor Premium colored pencils and the pigments blended and smoothed using cotton swabs dipped in a 1:1 mixture of turpentine and vegetable oil. I learned about this method of hand coloring from a book: “Hand Coloring Black & White Photography: An Introduction and Step-By-Step Guide” by Laurie Klein.
Comments welcome. Thanks for looking.

This photograph began with a digital file made by photographing the ground glass of a camera obscura. The original file was cropped (the ground glass is square), converted to black and white and the levels/contrast adjusted.
A four and a half inch square print was made using Piezography Warm Neutral inks on Hahnemuhle Biblio paper. This paper is fairly warm and has a subtle texture; it is not specifically coated for inkjet printing. (The process works just fine with standard Epson inks and with many matte papers.)
The print was then colored with Prismacolor Premium colored pencils and the pigments blended and smoothed using cotton swabs dipped in a 1:1 mixture of turpentine and vegetable oil. I learned about this method of hand coloring from a book: “Hand Coloring Black & White Photography: An Introduction and Step-By-Step Guide” by Laurie Klein.
Comments welcome. Thanks for looking.