analoguey
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ah yes the backing paper. That was a bit of an irritation when using it in any old folders - if the red window wasn't big enough I couldn't see the numbers. Fortunately it's also dense enough that I could use the (very bright) led torch on my phone to peer in without causing a foggy spot
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I guess that's probably the only plus to the backing paper. I have one Rollei that this film doesn't want to work in just because of the thick paper backing. I can live with this backing paper, but it's sure not Ilford or Kodak class. Heck, it's not even Foma class. John W
pdeeh, I wasn't trying to say GP3 100 was the best ISO 100 film out there or anything even remotely close to that. :
analoguey, every roll i used curled terribly, and I just couldn't stand it any more. Every time I cut a strip for sleeving, it was a major fuss to stop it springing in on itself and scratching itself, and similarly in the darkroom.
Making contact sheets was almost impossible.
I tried all sorts of things from long presoaks to drying it on reels emulsion out, hanging it weighted for days, different humidities in the drying room: nothing improved it
It is always very odd when other people don't have the same experience of apparently identical things, but there you are - I've read complaints that Retro 400S dries with cup or curl, but for me it always dries absolutely dead flat in all planes.
It is, as the great philosopher Toyah Wilcox once sang, a mythtery
Hmm. That.
Curling into circles isnt something I have experienced - not with strips of 3 or so. There's some curl, but not that extent.
That much can be painful - I find that quite irritating when I have to roll it onto dev reels.
Does taping help?
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