The reason why your film looks too dark is because regular D-76 1:1 is not a suitable first developer for reversal processes.
The role of the first developer in B&W reversal is to develop the "negative image" into metallic Ag, leaving the "positive image" in AgX form. With normal exposure, regular developers like D-76 leave a lot of undeveloped AgX left over, which results in overly dark positives if they're used in reversal processes (all that leftover AgX forms the silver in the final slide). You can get around this to some extent by massively overexposing the film, but even then, there is always leftover unexposed or undeveloped AgX that turns into Ag after the second development and creates a dark fog or haze in the image.
To get around this problem, first developers for B&W reversal need to have high activity -- much higher than what is usually found in a B&W film developer. D-76 1:1 or even D-76 straight are not enough. Typically, reversal developers look more like paper developers than film developers. If you look at Ilford's PDF file on reversal processing, they actually provide a formulation for a reversal first developer that's based on Bromophen paper developer.
In addition, first developers pretty much always contain a silver halide solvent like sodium thiosulfate or potassium thiocyanate. These ingredients essentially provide a bit of fixer-like action during developing, clearing out traces of AgX that simply can't be developed by even the most active developer. Leaving out the silver solvent typically makes the finished positives look "dark" overall -- areas that should be light (sky, white objects, etc.) have too much density.
My suggestion would be to look at the Ilford reversal-processing PDF and use the process they recommend. You'll have far more luck with that than you will with D-76 as a first developer.