Do you plan to print bigger the standard sizes which limited by board size?Any other things you think I could incorporate into the design?
Largest weasels?!?Don't forget to take into account ceilings and other vertical restrictions.
I would suggest determining first the most convenient height for the enlarger head when it is raised almost to full height. That determines the standard height for the baseboard, which may with some columns end up being quite low. Then incorporate some sort of raised support to bring your easel up higher (1 meter or more from the floor) for those many times when smaller prints are being made.
I prefer to have my easel by itself on its support, with all the other things I need - focus magnifier, dodging and burning tools, timer controls, etc. off to the side.
Remember to have a space to dust off negatives and load them into carriers.
When you are deciding on a support for the easel, remember to take into account the fact that sometimes you want the negative to be rotated to portrait orientation (if your enlarger permits that) so build in enough front and back room for your largest weasels when they are oriented that way.
In the perfect darkroom that is in my dreams, the enlarging furniture area would be like the semi-circular tables that editors used back in my newspaper days.
Having a good weasel to help you with paper handling really speeds things up!Largest weasels?!?
Of course! Naturally you’d want your largest weasels on the 16x20 prints. Any average weasel can handle an 8x10!Having a good weasel to help you with paper handling really speeds things up!
Thanks - I'll fix the original post.
Don't forget to take into account ceilings and other vertical restrictions.
I mounted the timer on the wall, this eliminates the bounce form pressing buttons.The timer should be on a small side table so when you jab the button it doesn't vibrate the enlarger. Or you could use foot switches.
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